Tag Archives: korean

Archery in Seoul: pt 1

26 May, 2015

Modern laminate gukgong. ©theinfinitecurve.com

After my adventures in Shanghai, I made my way to Seoul, a city I had been itching to visit for some time. I wasn’t disappointed. There’s a lot to say about this extraordinary place, so I’m going to split this up into two parts.

Thanks to some internet contacts, I got to meet Andrew White. Andrew is a professor of English at one of Seoul’s universities and a serious archer. He was kind enough to spend some time giving me an introduction to Korean traditional archery, or gungdo, at the Surakjeong (수락정) range out in the north-east of this enormous city.

SuRakJeong range. ©theinfinitecurve.com

South Korea is one of the most mountainous democracies on Earth – over 70% of the country is classed as uplands or mountains. The capital Seoul is hemmed in on all sides by towering rocks that have served to shape the city’s temporal and spiritual history. All Seoul’s traditional archery ranges are elevated, perched on the slopes of the surrounding peaks, and most of them are anything but flat fields. To varyingly rugged degrees they are tied much more firmly to the natural world than Western ranges, and Surakjeong – the ‘Surak’ part refers to the local Suraksan mountain, ‘Jeong’ meaning ‘range’ – is no exception. The range is rural, wild, green and peaceful, with a channelled mountain stream burbling diagonally across the field. I am mildly startled by a four foot snake making his leisurely way back to the undergrowth, although I manage to take a photograph. I mention it and show the photo to club members, and apparently he is a familiar sight out here. This is, of course, his territory as well as ours.

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Many gungdo clubhouses, or jung gahn, are built in a traditional style, featuring curved, extended wooden eaves which exactly resemble the architecture of the five great palaces of Seoul, right down to the identical colour scheme, which is said to symbolise a tree. There couldn’t be a more direct expression of the sport’s direct links to royal, dynastic and military tradition, and archers are expected to bow to the clubhouse when entering and leaving the range.

The jung gahn here holds a familiar trove of trophies and memorabilia, dusty history and old equipment. There is another open shed for bow storage and maintenance, with a few modern low-poundage recurve bows too which are sometimes used with local schools. It is not well known that FITA fields are actually very rare in Korea, despite the high-profile Olympic success. Recurve and compound target archery simply doesn’t exist as a mass-participation sport with nationwide clubs like in Europe and the Americas – although a handful of ranges accommodate both traditional and target styles.

There is also a bell with a fish clapper to mark shooting, the fish being an object of deep Buddhist significance.

©theinfinitecurve.com

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The distance of these ranges is always 145 metres, a distance similar to that used in a Joseon Dynasty-era military exam. On these terrains the target bed is frequently elevated or lowered from the shooting line, here it is a few feet higher. Gungdo targets are approximately 2 metres by 2.5 metres, with a rubberised surface that the arrow is designed to bounce off rather than penetrate – the targets feature an electronic indicator connected to a light to indicate a hit.

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There’s also no such thing as an indoor season to speak of – shooting continues year-round outdoors. In Korea’s harsh winters the line here is greenhoused and heated, and Andrew says there’s nothing quite like getting the first hit of the morning after a snowy night and seeing a grand white sheet of snow slump off the target in one go.

Traditional gakgung bow. ©theinfinitecurve.com Traditional gakgung bow. ©theinfinitecurve.com DSC_0123

The only bowstyle shot here is the traditional Korean bow, a reflexed composite weapon without an arrow shelf.  Beginners and casual archers use modern laminated bows and carbon / aluminium arrows familiar to Westerners, but as one moves up the levels past the fourth dan, archers must use traditional water-buffalo horn bows known as gakgung and bamboo arrows to progress further. These exquisite objects, which take years to make, are kept in a specially temperature-controlled cupboard buried into the mountainside, the natural materials requiring a great deal of care to maintain.

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The bamboo arrows are also difficult to construct, requiring the sourcing of bamboo with identical length stalks as well as thickness, in order to spine correctly. Traditional arrows are fitted with pheasant feathers and numbered in various decorative ways, and all arrows are crimped with blunt bronze points.

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Out on the mountain soil, long-standing members of the club are given small plots on the expanse of the range as an allotment. Andrew is raising peppers and hops for homebrew on his, next to a crop of what looks like kale. A session of archery interrupted by a spot of gardening is not at all an unusual afternoon out here – and naturally, old arrows get used to mark things out.  The plots are mostly out of the line of fire to the targets. Mostly. Given the relatively high trajectories of Korean archery, apparently other ranges around the country even feature roads running between the line and the targets. Every type of land is employed, there are ranges shooting over ponds, rice paddies, tree groves, and even ocean inlets.

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Andrew White.

Each end consists of five arrows – no more, no less – and the arrows are tucked inside a sash worn round the body: quivers are not normally used. The colour and markings of the belt indicate the dan level the archer has achieved – the first key stage is achieving a perfect end of five out of five, known as a mohlgi.

There are grading competitions a few times a year, and a program of local and national competitions. Members at Surakjeong have access 24/7, and there is a complicated hierarchical system in a country known for complicated hierarchical systems; archers are deferred to variously by age, dan ranking, and length of membership. Out back there is a long narrow building that serves as kitchen and mess hall, also housing the club’s leaderboard, clearly indicating the dan and other ranks of the members, and the order they were achieved in. Once you make a certain dan, you retain it for life.

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Communal cooking and eating is normal, and I am kindly treated to a meal of noodles, kimchi and dureup jeon – woody shoots foraged from the local mountains by a club member and fried in batter – along with makgeolli, the milky-coloured, mildly alcoholic, utterly Korean rice beverage.

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Dureup namu (두릅나무) in its raw state.

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Dureup jeon (두릅전).

I was amazed by the standard of the permanent facilities, but rather more struck by the similarities, rather than the differences, between gungdo and outdoor target archery, especially as practiced in the UK. The relaxed air of a shooting afternoon, the birds louder than an arrow being released, the reciprocal arrangements (any member can usually shoot at any other range as a guest) and the social structure were very familiar. The demographics of archery club members in Korea is not entirely dissimilar to that of golf clubs – indeed, golf is apparently pretty popular among Korean archers. The different clubs around Seoul and the rest of the country differ variously in attitude, formality, snootiness, average level of ability, coaching, and the degree of drinking and socialising that goes on – again, something that will be very familiar to UK archers. 😉

SuRakJeong range. ©theinfinitecurve.com

Coached by Andrew, I am given a chance to shoot with a trainer bow, first on a set of practice targets out back, and then from about the halfway line of the range. A discussion of technique could fill a book; being used to recurve shooting with a tab, the thumb ring and Mongolian grip are the trickiest things to get used to, as well as the low anchor point. Still, from about 70m out, after ten or so arrows have hit the floor, I am pleased to hear a distance knocking sound and see the centre target light flash. The breeze ripples through the trees. I’m on my way.

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Enormous, heartfelt thanks to Andrew White for enabling this piece and taking the time. 

You can read much more about Korean traditional archery in English at Martin Sadlon’s site (RIP) as well as the one maintained by Thomas Duvernay

Stay tuned for Part 2 of Archery in Seoul over the next couple of days.

Ki Bo Bae news – “as the principle goes, no exceptions is”

28 March, 2014

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It’s a sad day for The Infinite Curve when Ki Bo Bae, reigning Olympic champion, and number two in the world, hasn’t made it onto the Korean squad for this year, after failing to make the top eight during the selection shoot this week. Perhaps even more surprising, Yun Ok Hee, last year’s World Cup champion and world number one failed to make the top eight too. This means neither is likely to shoot in the upcoming World Cup events or the Asian Games this summer. The top eight in women’s recurve included some better known names like Joo Hyun-Jung and Chang Hye-Jin, and the men’s list was pretty familiar. But there’s a big Ki Bo Bae shaped hole in the calendar this year.

It’s always difficult trying to pull information in English off the internet about Korean archers. I don’t think any of us who aren’t in the system have the faintest idea what it takes to get into, let alone stay in the Korean national team – it’s frequently described as ‘harder than winning the Olympics’.

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Even via the joys of Korean -> English machine translation, it’s pretty brutal. “Aces are eliminated, the Association recommends always talk [when] the national team players are out. Exceptions, but when you start putting it into a precedent. Principles as the existing players to get the stimulus, can be daunting to new players. Yun Ok Hee, and Ki Bo Bae also a star through such a process.”  Ouch. 

The fact that the Korean sports press are asking these questions seems to suggest that the archery public are going to miss Ki and Yun, and there is a perception that the KAA should find a way to get them onto the team. It certainly would be a blow to the Asian Games to run a competition without two reigning champions in the ‘majors’.  There is, however, a lot to be said for brutal transparency in sporting selection, given the opaque nature of the procedures employed by some archery NGBs and several other sports on a similar ‘level’ as archery e.g. this pre-London 2012 row over taekwondo.

Still, looking forward to that comeback in 2015, otherwise I guess it’s back to the bizarre entertainment shows. Unless it’s time for that previously mentioned move to London? We can dream.

 

 

how a bow is born

19 March, 2014

Found these excellent videos on YouTube about traditional Korean bowmaking, constructing the gungdo (각궁) of bamboo, sinew, horn and various woods. Unfortunately, all the videos are in Korean, the only option is YouTube caption subtitles (click on the little icon below the screen that looks like an addressed envelope, and select ‘on’, ‘Translate Captions’, and then English or whatever language you like). While the captions are great at producing barely comprehensible joys as ‘Longing stroke / the sound of shoes voc robbed’, they do mostly give you the gist of what is going on, and occasionally deliver real insights (the ‘cloven hoof’.) Anyway, get stuck in:


Half a world away, I found this excellent slow and steady series of English longbow making videos from Bickerstaffe Bows, full of explanations, detail, and seriously hot woodworking. Enjoy.

(well, I say half a world away. Did you know that Britain and Korea share a megalithic culture? That you can find the same kind of mysterious late-Neolithic flowerings in Cornwall and Gochang? You do now…)

 

2014 European Archery Festival – photo diary

27 January, 2014

 

2014 European Archery Festival. © 2014 The Infinite Curve

2014 European Archery Festival. © 2014 The Infinite Curve

 

SATURDAY 25th JANUARY

Telford. Christ.

This, the largest indoor archery event ever held in the UK is being held in Telford. Of all places. The four stages of the archery indoor World Cup are held (in order) in Shanghai, Marrakech, Telford, and Las Vegas. One of these things is not like the other, as even a slightly bemused BBC Midlands crew points out on the Friday night. It reminds me of the “London. Paris. Peckham.” painted on the side of DelBoy’s van. Telford International Centre is a huge shed dumped beside an A-road and used for all the events that matter; Ultimate Dubs, Scale Model World, and the snooker in November. Now it’s being used for something important; and over 900 archers from 40 countries have turned out.

Qualifying. 2014 European Archery Festival. © 2014 The Infinite Curve

Qualifying. 2014 European Archery Festival. © 2014 The Infinite Curve

 

By the time I reach the venue, we are already in the fourth qualification stage of four: sixty arrows, recurve and compound, men and women, recurve and junior – although a couple of brave souls are shooting barebow, and one guy is shooting a horsebow with wooden arrows. Whatta man. The top 32 in each category go through to the eliminations. This tournament is completely open; you are free to turn up and make a score that challenges the greats, if you can. You can almost smell the intense concentration required, as well as the dejection from less vintage performances.

Qualifying at the 2014 European Archery Festival. © 2014 The Infinite Curve

Qualifying at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Qualification 'D'. 2014 European Archery Festival. © 2014 The Infinite Curve

Qualification ‘D’. 2014 European Archery Festival. © 2014 The Infinite Curve

 

In the bleak midwinter. Qualifying at the 2014 European Archery Festival. © 2014 The Infinite Curve

In the bleak midwinter. Qualifying at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

2014 European Archery Festival. © 2014 The Infinite Curve

2014 European Archery Festival. © 2014 The Infinite Curve

 

Bryony Pitman. 2014 European Archery Festival. © 2014 The Infinite Curve

Bryony Pitman. 2014 European Archery Festival. © 2014 The Infinite Curve

 

Alan Wills warming up. Qualification at the 2014 European Archery Festival. © 2014 The Infinite Curve

Alan Wills warming up. Qualification at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

I’ve been trying, but I can’t think of another sport, anywhere, where you can just pitch up as a rank amateur and get to perform literally next to the world’s number one, an Olympic medallist, or a world record holder. All these things happened in Telford. You can run in the same city marathon as Haile Gebrselassie, but they don’t let you start next to him. Many other sports have open competitions, but the top people usually get a bye through. Here, you get to play with the best in the world, straight out. Disabled archers on the same field as everyone else. There’s something magical there. I wander the forests of carbon with my camera, finding joy and disappointment in equal measure.

Becky Martin. 2014 European Archery Festival. © 2014 The Infinite Curve

Becky Martin. 2014 European Archery Festival. © 2014 The Infinite Curve

 

Qualification 'D'. 2014 European Archery Festival. © 2014 The Infinite Curve

Qualification ‘D’. 2014 European Archery Festival. © 2014 The Infinite Curve

 

Crystal Gauvin at the 2014 European Archery Festival. © 2014 The Infinite Curve

Crystal Gauvin at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Vanessa Elzinga and Jamie Van Natta. 2014 European Archery Festival. © 2014 The Infinite Curve

Vanessa Elzinga and Jamie Van Natta. 2014 European Archery Festival. © 2014 The Infinite Curve

 

Rick & Stef. Qualification 'D' at the 2014 European Archery Festival. © 2014 The Infinite Curve

Rick & Stef. Qualification ‘D’ at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Reo Wilde & Adam Ravenscroft at the 2014 European Archery Festival. © 2014 The Infinite Curve

Reo Wilde & Adam Ravenscroft at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

 Qualification 'D' at the 2014 European Archery Festival. © 2014 The Infinite Curve

Qualification ‘D’ at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Eliska.  Qualification 'D' at the 2014 European Archery Festival. © 2014 The Infinite Curve

Eliska. Qualification ‘D’ at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Eliska Starostova, a friend now on the Czech national team is sponsored as an archer by her ‘other’ club Fujian White Crane Kung-Fu. Despite the heroic and (usually) positive sporting associations the general public have with archery, many traditions think of it more as a martial art; a discipline. Kung-fu and archery. It’s a good match-up. Self-discipline. Inner strength. Eliska beat one Naomi Folkard to win an indoor tournament last year. I watch the screens nervously as qualification wraps up while her name hovers around the cut line. Frowning with concentration, she ends up qualifying 26th in women’s recurve. Safety. The work has paid off. The gilded names go on, the vast amateur field get another shot at a second-chance tournament at some ungodly hour the next morning.

Chang Hye-Jin. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

Chang Hye-Jin. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

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In the women’s recurve, a juggernaut arrived last night. Team LH from Korea; five archers, in identical uniforms at all times, no English, terrifyingly good. LH are full-time professionals, sponsored by the state housing company. They took five of the top six spots in qualification, out of ninety-eight top women archers from all over the world. It’s a bit like Real Madrid suddenly pitching up in League 2. The utter dominance of Korea in recurve archery, reinforced in spades over the last couple of years, has become a cornerstone of the international sport. As someone says to me, “I’m just glad they didn’t enter the men’s team. Or their compounders. Because we’d all have been f****ed.”

Sjef Van Den Berg. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

Sjef Van Den Berg. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

As the head to head competition starts, the focus narrows, and the thousand-yard-stares come out. With no wind or rain and the short distance involved, the indoor scores at this level are so high, that the winner or loser can be decided on basically “who blinks first.” Who is the first to shoot a nine rather than a ten. If your opponent can and does score thirty for a three-arrow end, you must be able to do the same. The set system allows for limited opportunities for catching up an error, but the fact remains that international archery competitions are brutal. Brutal on the nerves, brutal on the psyche. Your odds of making the final table are tiny. Poker fields. Over the PA, the results of matches are announced, the fallen are a who’s-who of big names. The world champions. The ones who get featured in the programme. (And Eliska, unfortunately, hammered by a German archer in the 1/16). In barely more than ten minutes, all that work is over.

Tatiana Segina. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

Tatiana Segina. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Aida Roman using 'video assist'.  Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

Aida Roman using ‘video assist’. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Aida Roman and her coach watch each end back on video immediately after she finishes shooting it. She ends up beating her former coach, Song I Woo, who is one of the few archers on the line who looks like they are enjoying themselves.

Songi Woo. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

Thomas Faucheron. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

Thomas Faucheron. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

I watch the quarter-final between Brady Ellison and Thomas Faucheron of France from a prime seat, a slow, ferocious battle. Brady is the huge star here. He has an immense presence on the line, slow, immensely relaxed. This Olympic medallist self-describes on social media as ‘a country boy who just likes to shoot his bow’. He spends most of the time when not shooting besieged by autograph-hunters.

Brady Ellison. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

Brady Ellison. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

Brady Ellison. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

Brady Ellison. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Brady Ellison. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

Brady Ellison. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Brady’s shots seem so strong, so still, so relaxed, that I wonder how he can be beaten. Faucheron holds and holds and holds (usually a road to disaster) yet somehow still manages to pull out the tens. It comes down to a one-arrow shootoff. If the preceding competitive segments were brutal, this is an even nastier weapon. Faucheron wins it, by millimetres. Brady sighs just a little and adjusts his cap, then congratulates him. Next day will be painless.

SUNDAY 26th JANUARY

Chris Wells is the communications director for the EAF. Why Telford, Chris? “Because we’ve used the area before, we saw real potential in the venue, there’s good transport links, hotels on site, plus we got excellent feedback from the archers who’ve been here before (the Back to Back tournament).” All excellent reasons. But unfortunately, it’s still Telford.

Great God, this is an awful place. One of the more famous 1960s new towns, it was created by municipal parthenogenesis, when someone decided to legitimise the existence of a bunch of Shropshire towns and villages by birthing a shopping centre in the middle and uniting them all in joyful retail. A few miles to the south is the bucolic Ironbridge, cradle of the Industrial Revolution and a UNESCO World Heritage Site. But here is just the urtext inflorescence of Crap Britain, a vaporous hell of Wetherspoons and Costa, an ring-road Erewhon, a post-war concrete conurban fantasy guiding all to worship at the crumbling temple complex in the middle – which now has an Asda. Deserted on a Saturday night at 9pm, you can’t get from the “town centre” to the International Centre on the pavement – they’ve ripped it out and haven’t put anything down. You have to struggle through the muddy verges or take your chances on the A-road. Everyone in local hotels is turning up with muddy shoes, including me. Telford: the town that makes Slough look like Florence. Gertrude Stein said of Oakland, California, that: “The trouble with Oakland is that when you get there, there isn’t any there there.” When you get to Telford, there wasn’t anything there in the first place, but someone replaced it with f**k all anyway. Perhaps if you hurtle round the ring road fast enough you can achieve escape velocity from this Travelodge of a city.

Steve Anderson on the Hoyt stand at the 2014 European Archery Festival. © 2014 The Infinite Curve

Steve Anderson on the Hoyt stand at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Steve Anderson on the Hoyt stand at the 2014 European Archery Festival. © 2014 The Infinite Curve

Steve Anderson on the Hoyt stand at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

The other half of this festival is devoted to trade, held in the hall next door. All the big archery manufacturers and many of the British retailers have taken a stall here. Most things are pretty familiar, so I decide to look for things which are new(ish).

Fivics risers at the 2014 European Archery Festival. © 2014 The Infinite Curve

Fivics risers at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

New Fivics risers in pretty colours. Korean glamour.

Win & Win compound bows at the 2014 European Archery Festival. © 2014 The Infinite Curve

Win & Win compound bows at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Win & Win have started producing compound bows, with the usual attention to simplicity and excellence coupled with joyfully peculiar translations.

Shibuya stabs at the 2014 European Archery Festival. © 2014 The Infinite Curve

Shibuya stabs at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Shibuya stabs in awesome bright colours.

Aurel Archery shafts at the 2014 European Archery Festival. © 2014 The Infinite Curve

Aurel Archery shafts at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

I spend a good deal of time talking to René Velarde Rast (above) of Aurel Archery, based in Germany, a man manufacturing some beautiful quality carbon arrows. He is gradually working on a business model based on excellent quality, personal service, and strong relationships with pro shops. Whether he can seriously challenge the Easton machine perhaps depends on long-entrenched attitudes changing; the product is obviously excellent. He is focussing entirely on target archery; no broadheads and skull penetration figures here. I would love to get a bunch of his shafts and piles down to my club; we are currently working collectively on putting together tricky components like bowstrings ourselves, and arrows are one of the more difficult elements of archery to get right (in London this is not helped by a complete lack of archery shops). Seizing control of the means of production, and reducing the import duty on American arrows would help. Rene is also producing aluminium and, uniquely, wood laminate shafts for traditional archers (below). Good show.

Aurel Archery - wood laminate shafts at the 2014 European Archery Festival. © 2014 The Infinite Curve

Aurel Archery – wood laminate shafts at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

I meet up with some of the other London archers and we rattle around the place, waiting for the denouement. I meet Patrick, the hazy genius behind Uukha. I watch a BBC ‘Road To Rio’ TV crew desperately try, with Songi Woo’s help, to pull some quotes out of the Sphinx-like Koreans. After the junior finals have been completed, the main hall is closed off and turned round. We have been promised a special show for the big finale. Lights. Smoke. A show producer from Vegas has been pulled in. Broadcast engineers. The compound archers ‘headline’ this show above the recurvers, in a reversal of the usual order of events. I ask why. The focus is apparently being put on ‘on-the-spot-accuracy’, with tension and cameras and the like, and the inherently more accurate bow is taking centre stage – it should be noted that the main sponsors are also quite compound-oriented, too. They were hoping for more national BBC coverage, but it’s a difficult sell without some Brits in the final.

Finals warm-up at the 2014 European Archery Festival. © 2014 The Infinite Curve

Finals warm-up at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

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The show is indeed a show, designed for the room more than the TV. Aida Roman is first up in the bronze medal match, and she’s amazing. There’s a steely look to her shooting. A more ruthless competitor. If I’ve watched the Olympic individual climax a thousand times… There is no mistake here. She wins looking like a rock star. (If you are really bored, you can watch the feed and see me scurry out to take the picture below.)

Aida Roman: rock star. Finals 2014 European Archery Festival. © 2014 The Infinite Curve

Aida Roman: rock star. Finals 2014 European Archery Festival. © 2014 The Infinite Curve

 

After that, the Korean women put on a masterclass in form for the final, which goes to two shoot-offs. It’s not so much that they look effortless; it’s more that the technique is so ingrained that it looks more natural. It’s learned, like everyone else. It’s just better. The scores, as I check them later, would easily challenge the recurve men. Perhaps the missing media link is just that; remove men’s and women’s classes: totally open competition. I wonder if that’s an idea whose time has come.

Team LH, finals of the 2014 European Archery Festival. © 2014 The Infinite Curve

Team LH, finals of the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Kim Yu Mi at the 2014 European Archery Festival. © 2014 The Infinite Curve

Kim Yu Mi at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Levi Morgan v Paul Tedford at the 2014 European Archery Festival. © 2014 The Infinite Curve

Levi Morgan v Paul Tedford at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

TRU Ball sign at the 2014 European Archery Festival. © 2014 The Infinite Curve

TRU Ball sign at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

All-American chisel-jawed superman Levi Morgan takes the bronze in men’s compound, and when asked how, says he ‘prayed real hard’. It’s about this time I notice the slogan in very small letters underneath the headline sponsor’s logo plastered everywhere. The joys of international archery; the frankly strange cultural clashes, the variety of people and stories united in a common goal. The festival has worked. The big show has come off. It wasn’t perfect, and there’s a way to go, but everything appears to be going in exactly the right direction. It was an event. Where does it go from here?

Erika Jones at the 2014 European Archery Festival. © 2014 The Infinite Curve

Erika Jones at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

All pictures by me (except the one of Aida Roman post-release by Dean Alberga). All rights reserved. If you want to use them, ask me nicely. 

Special thanks to Chris Wells. Was great to meet @StratfordArcher, @archeryashe, @martin_evans and the like. Cheers. 

Stay tuned for an extensive interview with Patrick Huston, hope to bring you that tomorrow.  

John.