Don’t forget, The Infinite Curve’s archery blogging world is as much based around Facebook and Twitter as it is this here page. So if you aren’t following me on social media, you should. Because you’ll miss out on all this cool stuff:
This thing, via goniart.com. I know not what it means, but it’s great.
Well, the DVD of Catching Fire is coming out, and I took this picture of one of the posters on the London Underground:
…and she’s still doing that looping-her-finger-round-the-arrow thing in the publicity shot. Ouch. Of course, in the actual filming almost all the arrows are CGI’d on afterwards, because it’s too dangerous to actually fire arrows around on the set. Stage bows often use rubber bands instead of actual strings – which is probably the reason she can hold at full draw on her fingertips (above). Obviously the arrow was falling off the rest. But they could have put a clicker on for the publicity shot. Or, hell, a bit of tape would have held the arrow in place. Yes, it’s an improvement on the poster where she’s got her fingertip over the end of the arrow:
And the well used publicity shot from the first film, which looks more like an M.C. Escher painting every time I see it. I mean, is the arrow superglued to the back of her hand or something? And her bow arm angle versus the arrow is very strange…
I should stress that a) I liked the films (although the last act of Catching Fire really dragged) and b) they’ve done a ton for archery. My problem with most of the bad archery in ads and film is that it’s basically as easy to get it right as it is to get it wrong, and the general public recognise when something is authentic. Why get the publicity shots so wrong? I mean, they paid for Khatuna Lorig to train her how to shoot properly, right? That’s Hollywood for you though – get the headline story, and then… ah, whatever.