Category Archives: World Cup

A storm from the East: Antalya World Cup 2014

20 June, 2014

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So I took up an offer from World Archery to come and work on their communications team for the Antalya leg of the World Cup circuit. I wrote up stories: writing, helping to write, assisting or otherwise having a hand in most of the news stories you can see on the front page of worldarchery.org during the events. I grabbed quotes, facts, and the odd picture. I wrote some of the features and previews. I got to work with an amazing and amazingly professional team – Chris Wells, head of communications; Didier Mieville, head of marketing; Matteo Pisani, head of making everything actually work, and Dean Alberga, capo di tutti capi of archery photography, amongst many others. I had a incredible time, although it was pretty full-on. Immersive archery media.

It’s not my first World Cup – I went to Wroclaw last year for a couple of days, which you can read about here and here – but it was my first trip on the inside. This isn’t going to be a full narrative account, and I can’t spill all the beans. This will be more like a handful of memories. (There are plenty more of Dean’s spectacular pics on the smugmug page, too)

 

Choi BominChoi Bomin during official practice. 

In 1990, after losing a penalty shootout at the (football) World Cup, Gary Lineker said “Football is a simple game. Twenty-two men chase a ball for 90 minutes and at the end, the Germans always win.”  In international archery events, it sometimes seems like you need a similar quote: “500 people fling arrows at targets for five days, and at the end, the Koreans always win.” Except they didn’t. But things changed.

Antalya nestles snugly at one end of the Turkish Riviera on the Mediterranean, protected by the Toros mountains. A port town for over 2000 years, it has expanded wildly since the 1970s to be one of the largest tourist destinations in Europe. Three hundred sunny days a year, apparently, and we are going to get five of them. After an amazing preamble trip to Istanbul with Ms. Infinite Curve, I am treated not just a sea view, but a mountain view too at the smart Rixos Downtown, sat midway between the qualifications field and the beach where the finals are held. Things are looking good. I have a uniform to wear and have been provided with a variety of World Archery blue shirts, khaki shorts and trainers, courtesy of Fila, one of the main sponsors.

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Reo Wilde: officially inspected. 

By the time I get over to the practice session, the sun is starting to drop. On the qualifications field, we have an air-conditioned Portakabin where we can generate data, stories and dreams and distribute them to the outside world, via a satellite internet connection and wi-fi that will end up creaking under the strain of hundreds of tablets and phones all over the field hitting refresh twenty times a minute. Matteo and others have developed an incredible system for generating real-time data for archery tournaments, and the demand for it is insatiable. Data, scores, news and pictures. We must provide.


WEDNESDAY

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When Korea warm-up, so do their coaches.

The main archery field, owned and managed by the Turkish Archery Federation, is squashed between two giant building sites and a housing estate on prime land near the beach – I get the feeling it won’t be around in a few years, in a city that is seeing rapacious development. Today is qualification day, also known as the ranking round. We are on the field early, and get to watch the recurve teams warm up. Running on the spot, flailing arms, you name it. Although everyone is watching Korea, anyway.

Everyone is always watching Korea. When the KAA decide not to send a recurve team to a World Cup event, the competition feels incomplete. The biomechanical approach to recurve shooting has long been exported along with dozens of elite coaches to all parts of the globe – but now the cultural and style elements, like the distinctive sunhats and the team warm ups, are starting to spread up and down the line, too. Everybody wants to grab a little piece of the magic. The Danish ladies team, with current Korean resident Maja Jager, have developed their own warm-up – a touchier, feelier version of the Korean routine:

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At the end of the recurve session, I get quotes from man-of-the-moment Florian Kahllund, the young German archer, and for the first time encounter the perennial problem of sports interviewers: trying to eke something interesting out of someone who isn’t keen on saying very much. He has indeed said everything that needs to be said on qualification day by placing fifth out of 127 men, ahead of the reigning Olympic gold medallist and the reigning world champion. “I know I can shoot these scores in practice, but I’ve become stronger mentally over the past few months.” Can you tell us how, Florian? “Not really.” OK.

I speak to Dasomi Jung of Korea. Of the four women in their recurve squad, she has finished seventh, with her teammates taking places one, two and three. The Korean translator, the immensely helpful Mr. Choi, calls her over, and she gives me an unmistakeable oh-alright-for-fuck’s-sake look as she answers my questions with a bored tone – but she does gives some interesting information about why the Koreans went to Medellin, and why they went there a week early:

“It was the first time we had competed in South America. There is a huge time difference between Medellin and Korea and we needed some days to adjust to the jet lag. Since the Olympics will be held in South America in 2016 it was a good opportunity to familiarise ourselves with the environment. We’ve competed many, many times in Antalya already – so we don’t worry too much about (getting here early for) the competition here.”  Familiarising yourselves for the Olympics two years early? Really?  “Yes.”

The mixed team eliminations follow. I grab quotes from Peter Elzinga and Erika Jones, both of whom are well-familiar with the media, and the awesomely cocksure Jayanta Talukdar who has clipped the Korean pair to make the gold medal match. I’m starting to notice who would be a good interviewee and who wouldn’t. It’s going to make life a lot easier.

 


THURSDAY

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Lee Seungyun.

Individual eliminations day. The archers are ferried from the hotels to the field in a fleet of coaches and minibuses. It’s actually only a couple of hundred yards from the hotel, but getting there on foot requires crossing Antalya’s main motorway with eight lanes of screaming traffic. I try this once, a terrifying real-life game of Frogger, and swear never again. The bus schedule is rather elastic and the Korean team have hired their own minibus for the week. This morning me and Chris manage to get a lift in it as it is ferrying Lee Seungyun, the 19 year old world champion. Yeaaaah, we special now. The badges on his chestguard apparently say ‘Lee Seungyun’, ‘No matter what’ and ‘Win it’. (thank you Vanessa Lee).

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Yasemin Ecem Anagoz, in her quarter-final match. 

The individual eliminations, as archers go head to head according to their seeding in the ranking round, are brutal. You can smell the fear. The wind has picked up and the djinns are blowing around, ready to destroy months and lifetimes of work.  Everyone ducks deep inside themselves, trying to banish the lurking doubts and allow their unconscious to do the work. Everyone here has done what needs to be done – put arrows into the ten ring at 70 or 50 metres – thousands of times, sometimes hundreds of thousands of times. But can they do it on cue, in competition, with the capricious Mediterranean winds and the fears gurgling in the stomach? Can you do it now? Right now? Many big names take early baths, and I have to tread delicately amongst the stars.

“It was the wind.” I hear this a dozen times today, as I gently try to interview the fallen. Unlike most other precision sports, outdoor archery has a random variable, a roll of the dice. The wind is both a meddling god and a useful boogyman. Today, I actually believe everyone who says “it was the wind”, but later I wonder how many matches were really lost in the lift, in a hotel room, in baggage claim, in the moments of doubt that can strike anywhere.

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Aida Roman is knocked out by Tatiana Segina in a shoot-off, where she held and held and held in a manner reminiscent of *that* shoot-off in London.  Can I ask you a couple of questions, Aida?  She barely whispers: “Yes.” The steel confidence displayed indoors at Telford and Nimes earlier this year was a million miles away. She is polite enough to give me “sometimes you win, sometimes you lose” platitudes, looking like a ghost. I feel awful.  Much was expected of the Mexican ladies’ team outdoors this year, but so far they haven’t shone as brightly as expected. It’s the gulf between expectation and reality that really stings.

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Best interview of the day went to Oh Jin-Hyek. I’m excited. The Olympic champion. The World Cup Final champion. The ‘Soft Drink Pig‘. The unconventional shooting genius has had a bad day at the office, beaten by Takaharu Furukawa in a rematch of the men’s individual final from London 2012. He stalks off the line, rattled, barking at somebody. A short while later I find Mr. Choi, and ask to speak to ‘Mr. Oh’. He looks at me slightly alarmed and says: “Are you sure?” Excellent. This is going to be a doozy.

We head for the Korean camp: as the sun is setting, he lumbers over looking like he wants to do pretty much anything else than answer my questions. I open with a fairly standard: Can you tell me how the last match went?  Mr. Choi translates. And Oh starts talking… and talking… and talking, avoiding my eyes. Mr Choi keeps trying to stop him, but on and on he goes, and I suddenly realise he is really talking to Mr. Choi. He is justifying things to him, not me. He rattles on for at least ninety seconds, and finally stares off into the distance, grumpy.

Mr. Choi pauses briefly, and says. “He was mostly happy.”

I try not to crease up laughing, and eventually manage to tease something out about rather un-Korean ‘equipment problems’ (to cut a long subsequent story short, he was unhappy with his arrows). How are you going to clear your mind for the team eliminations tomorrow?  He finally looks at me, and I see a flash of the pugnacious ego inside. “It will not be a problem. It was just the equipment.”  I can deliver the goods anytime, sunshine. You can read what we wrote about it here.

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In the compound eliminations, Choi Yong Hee of Korea makes it to the gold medal match – a first for the country, and a warning shot across the bows. In Dean’s picture (above), he lifts his bow to the setting sun like some kind of bizarre, Wicker Man-type ritual is about to happen. The destroyer.


FRIDAY

Team eliminations day. Compounds and recurves on the same field at the same time. Previously the field was separated by bowtype, now they are separated by sex. The men go first, and I flip between watching the two USA teams.

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The recurves didn’t have a great ranking round, and their seeding meant they faced the tough Dutch squad in the first round. They lose 6-0, with Brady Ellison slamming his bow down at one point in frustration. Both USA compound teams, by contrast, breeze through the brackets into the gold medal matches. For most archers, the team eliminations is their last throw of the dice – after this, there is nothing to do for three days until the flight home but sunbathe and reflect on what might have been. There’s a kind of poignancy as people pack up their bows. A lot of wistful stares.

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A word about coaches. They come in all shapes and sizes, all manners, all styles – the generals in the field, the technical managers, the in loco parentis. But in competitions like this there’s always a strange point where they are left behind, when the horn sounds and all the archers walk off to collect their arrows and score, and the coaches are left standing around an empty half of the field. The powerful suddenly become powerless, neutered, functionless. A bit lonely. Until the athletes come back and they suddenly spring to life. The eternal cycle.

(Except the Korean coaches. They sit down and get back up again).

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It’s noticeable how many of the coaches in the top teams are deeply protective of their charges, and how hands-on many of them are. I suspect ‘hands-on’ is exactly what is required, thousands of miles from home and loved ones.

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Today I got to meet the Japanese recurve team, who have managed to make four medal matches, and are the most successful recurve nation behind Korea. They are friendly and helpful, and I type up a feature piece about them as the field empties (there is another piece on the Easton website). In Japan there is a high school archery program, separate from the elite level coaching, which funnels talent into the system. Some high schools are publicly known for the quality of their archery coaching, and Hiroshi Yamamoto, an Olympic medallist in 1984, remains a household name, which has helped keep Olympic archery higher in the public consciousness than in other countries.

After the close of play here, the focus moves to the finals arena on Antalya beach. We all troop down to help set up and set the stage for tomorrow. I go to bed at 10pm completely shattered. We are all putting in 12 hour days or more, although it never really stops. You are constantly in the bubble. You are along for the ride.

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SATURDAY

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Compound finals day. The individuals preview piece is here, and the results pieces are here, here, here and here. The World Archery team suddenly doubles in size with TV crews, commentators, technicians and athlete herders along with everyone else. The finals are on a tight clock, two sessions a day. Me and Chris are doing the same things, only faster. I am the new guy, everyone else has been here before. There is a deep sense of professionalism.

The women’s compound final features some unfamiliar names. The Russian Natalia Avdeeda has been on the women’s circuit since 2009. She was up against a sixteen year-old girl from Iraq called Fatimah Almashhadani. That’s her in the above picture with the head of the Iraqi Archery Federation – who also happens to be her father.

Fatimah has been shooting compound for barely two years, but she left a trail of devastation on the Friday as she dispatched multiple World Cup champion Jamie Van Natta, 15-arrow world record holder Sara Lopez and reigning World Cup Final champion Alejandra Usquiano in individual qualification. It’s a bit like the trail Boris Becker blazed through Wimbledon in 1985, except it wasn’t a wunderkind prodigy from a rich nation with a strong sporting history, it was a shy girl in a headscarf from a country presently tearing itself apart.

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Her shooting is a joy to watch, incredibly relaxed. Unlike a lot of grizzled pros, you can tell just how much she still really, really enjoys the physical act of shooting an arrow. With strong support from the local Turks in the audience and a vocal home contingent, Fatimah leads the match up until the very last end when the scores were tied, but unfortunately she sent down an eight and two nines, and the experienced Avdeeva took the match. (You can watch it here.) She looks horribly downcast at the loss, but from the reaction of the Iraq team, you would imagine she had won the gold. As for me, I find myself willing her to win for the whole match, because that would make a better story. Four days of this and I seem to have crossed some sort of journalistic threshold.

She speaks some English, and her father translates the rest: “I wasn’t nervous at all last night, but when I got to the final competition my heart started going faster. It was difficult to control my body. I was having to aim off and I found it hard. I was shooting fast, but I like shooting fast, because I am more focused. I had a dream last night, I got to the competition and we were shooting with the USA.”

Her sister Rand is in the national recurve team, and got a wildcard to London 2012 where she shot against Ki Bo Bae. “I was in the Iraqi recurve team, but decided to take up compound as a new challenge. I love shooting compound. My first coach was my mother. She taught me recurve. My current coach is Majid Ahmadi who was on the Iranian national team.” Mr. Ahmadi, a former World Cup gold medallist, shakes my hand about fifteen times today. He’s great.

“I have to thank coach Ahmadi for everything, really. He has been selfless for me and the national team. Iraq is a dangerous country, and he has fought for Iraqi archery like a citizen.”

I look down at her arrows. Two of them in the quiver have the nocks broken off… just like mine.  It turns out that most Olympic sports programmes in Iraq are still in disarray – or worse. Her father says: “(In 2006) the president of the Iraqi Olympic Association, the secretary general, president of the handball association, volleyball federation and many members of the IOA, were herded and gunned down together.”  The training conditions are challenging, too:  “There are very few archers in Iraq – perhaps only 150. We don’t have any outdoor fields for archery at all. We have to find quiet areas, there is just one area in the north of the country where we can do an outdoor training camp. No shade, no grass. I sometimes practise in the back garden in Baghdad but that is only ten meters.”

She goes off to more photos and more acclaim from the ‘home nations’. But the expression on her face looks pained. She looks like she wants nothing more than to get back out there and have another go. There’s a shy 16 year old there, with the will of a total badass. She’s my new hero.

In the men’s individual competition, Choi Yong Hee of Korea takes an individual gold. He shoots confidently, swaggeringly. It’s effortless. The win is also a loud warning shot fired around the archery world, and the warning is this: Korea intend to dominate compound archery exactly as they dominate recurve archery. The famous strength in depth of the KAA machine, with a huge base of second-tier recurve archers who already have a strong mental game and who could be persuaded to switch to compound, seems set to take over. The great white sharks are coming. They’re already here.

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Podium pic (by Chris Wells)

Both USA compound teams finish with silver medals, in what has long been the their strongest event and an expected gold. Two of the men’s team manage to muster a smile on the podium, but by their own high standards, this shoot has basically been a disaster for the USA.

The working day finishes a little earlier, although with finishing our write-ups it lasts a bit longer. When you are having a conversation with a Belgian, a Nederlander, an Italian and another Brit about the minutiae of archery technical scoring in a gaudy hotel bar with ‘Fly Me To The Moon’ tinkling in the background, time flows in mysterious ways.

SUNDAY

I get up at 6.30 and go for a swim in the Rixos’s completely empty pool. The hotel has been sparklingly good for five days. The world outside the bubble seems hazy, unreal. It’s been good to focus on this one thing and almost nothing else – has made me realised how distracted, how scatty I can get with the usual day to day nonsense. I haven’t shot for a few weeks, but it feels like I have. Like my brain is in gear. It’s my last day here.


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(The great white sharks. Photo: Dean Alberga)

It’s almost all Asian nations contesting the recurve finals today, with only Florian Kahllund of Germany representing Europe, and not a soul from the Americas. The women’s team events are a straight re-run of London 2012, featuring many of the same names, with Japan facing Russia for the bronze and Korea versus China for the gold – although the Olympic results end up being reversed. I try and get some quotes out of the Chinese team afterwards; their translator is unhelpful and the women look at me like I’m from Mars. We finish the piece and move on to the men’s team, where the Korean men do what they do so well: winning, and easily. There is a slight grit to the performance after the women’s team only took silver. They are making sure.

In contrast to the Chinese, the Koreans are gradually opening up to the media. For years, you could get little more out of them except “I shot well, it was good, I was proud to shoot for my country.”  (In fact, Chris instructs me to strike the phrase “I was happy” from all quotes generated from winners. “Everyone is always happy!’)  So it is surprising to hear Oh Jin-Hyek talking about ‘weaknesses’ in the team – even if the ‘weaknesses’ he is talking about may not be the same weaknesses everyone else talks about.

With my new blue uniform I am actually getting the tiniest of respectful nods from the Koreans. The smallest of head nods, not quite a bow, but some kind of acknowledgement – and better than the glares I was getting last year. But I notice how the Korean coaches treat Juan-Carlos Helgado, the senior events director – he gets a nod approximately two inches deeper. They know my place in this lineup.

Having spent a few days watching the Koreans, I am increasingly convinced that they are deliberately maintaining a brand, and playing up to the image they have created of slick professionalism and machine-like dominance, because this serves a purpose: sowing fear amongst other squads, and maintaining the air of unbeatability.

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Korea – supporting

But they aren’t a machine. They are beatable. They cheer, cry, lark about, chat and decorate themselves, everywhere but the shooting line. They laugh – a lot. They love the attention. But the great white sharks make sure to maintain their reputation, even if they don’t always catch every fish.  I’m sorry to leave the bubble, and the glorious sunlight, and all that staggering talent. It’s been like nothing else on earth.

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All photographs are by me unless otherwise specified, and are © 2014 The Infinite Curve. 

There were many people I’d like to thank for this opportunity and making me feel so welcome, but especially:

Chris Wells

Dean Alberga

Matteo Pisani

Rahele Ahadpour

Didier Mieville

Chris Marsh

Tom Dielen 

Jon Nott

and George Tekmitchov. 

Interview: Richard Priestman

28 May, 2014

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Richard Priestman competed in three Olympic Games for Great Britain, and came home with two bronze medals from the team events in Seoul and Barcelona. He has been an archery coach since 1993, and has travelled the world coaching national sides. This year, he has been coaching the Columbian recurve squad, the women’s team achieving a silver medal in the Shanghai stage of the World Cup. Richard was kind enough to take some time to answer my questions via email while preparing for the upcoming stage in Antalya

 

Can you explain how you got started in coaching in Britain? 

I have always enjoyed coaching, even when I was a competitor I used to do a lot of coaching. When I retired from international archery in 1993, the GNAS (now Archery GB) asked me if I wanted to be involved in coaching and I was voted into the position of Director of Coaching and then went on to be the national Coaching Organiser for the national training squads.

Which countries have you coached in now and for how long?

I was coaching with the British team for approximately 10 years (no salary in those days), then worked as the national coach in Bangladesh for 2 separate periods – 2009 to 2011. In between, I worked for 5 months in Nepal with their national team (initially on behalf of the Asian Archery Federation) to help them prepare for the 2010 Asian Games. After the World Championships with Bangladesh in 2011, World Archery employed me as an agent to work on the Latin American Youth Development Project. I worked with 6 different countries: Puerto Rico, Dominican Republic, Guatemala, Argentina, Cuba and Venezuela. My role was to hold 1 month training camps in each country in turn and then return to evaluate and further improve the archers and coaches in each country, specifically to raise standards in international competitions. I worked on this project for 2 years. I do keep in contact with many of the archers and coaches I have worked with in the past, I am always eager to see how they are all progressing even though I am not with them any more. I have been with so many countries that invariably my current team will end up competing against one of my former archers!

You were appointed as ‘temporary’ recurve coach for Brazil last year. How did that come about?

Brazil were without a national coach and World Archery wanted to support them, especially as they are the hosts for the Rio Olympic Games 2016, so I was asked if I would go there to help them. Originally I was temporary until Brazil could recruit a permanent national coach. Brazil did offer me the job but despite the rapid improvement in scores and some great results in international competitions, I decided that my future was to be elsewhere. I do wish them well for the future. They have some great talent, especially 16 year old Marcus Carvalho and Sarah Nikitin.

The Brazilian recurve team have, fairly suddenly, made quite an impact at the last two World Cup stages. How much of that would you say is down to changes you have made?

Sure, Brazil’s improvement came after several months of really hard training. They have a full time training camp. I made a lot of changes to their training schedules, increasing the numbers of arrows they were shooting, and made important improvements to their techniques. A lot of attention to detail. I changed their fitness training routines, improved eating habits and introduced many new ideas for the sports psychologist to work with the team.

How long have you been coaching the Columbian national side? Is it just the recurves?

I will work with the recurve team. Initially a lot of work with the mens team to improve standards, but I am sure I will cast my eyes over the compound archers and help them and their coaches. This is my first official week training in Colombia. I travelled to Shanghai for the first World Cup to be with the Colombian team, but had to return to England to apply for a work visa. I only arrived in Colombia one day before the start of the World Cup in Medellin.

It’s obviously been a fairly short time, but what changes have you made so far?

In the short time I have been with the Colombian team I have concentrated mostly on observing the team, looking at their strengths and weaknesses, but already making suggestions to the archers and their coaches. Now is right in the middle of the competition season so not the best time to make any major changes, but the mens team have already started the long process of change. I prefer a slow evolution of technique and thinking.

Is there a particular coaching ‘philosophy’ or strand of thinking you adhere to?

I have studied many different successful winning techniques over the past 40 years, from the USA team of the 70s to Russian male and female techniques, the different Korean techniques etc. I utilise best practices from all techniques I have seen and from my own shooting experience, make changes which I think are appropriate to the archer I am working with. Certainly I was influenced by great champions from the USA such as John Williams, Darrell Pace, Rick McKinney, top coaches such as Al Henderson, Kisik Lee and Kim Hyung Tak. Most of my coaching has been to work with already experienced archers, so it is very difficult and often destructive to their scores and confidence to make big changes to technique. I prefer a slow evolution to improve on what they already do. Much of my time has been spent fixing technique and physical weaknesses, importantly clearing misunderstandings about the techniques the archers have already been taught in the past.

I concentrate in getting the archer into a position where it is easier for them to make expansion. I want the archers to know where their expansion comes from, learn how to control the expansion under pressure and how to control their follow through to maximise their scores. All the archers who have worked with me know I like very much to utilise bow training exercises with their training, used in the right way, many of the archers problems will disappear with the appropriate exercises. I find with most developing archers, the biggest limitation to progress is physical, so that is where I usually start. Only once they are fit enough to control their bow can we effectively begin to improve skills and their mental game. I try to be a student of archery and I am always looking for new ideas.

With recurves, how do you teach the release phase of the shot cycle?

I teach the archers that they have to learn set up, engage and really feel the parts of their body they will use to make expansion. The archer must concentrate on expansion and commit to the expansion before, during and after click. The click is just there to signal the relaxation of the string fingers…expansion does not stop until the end of follow through. Release is not an action of taking the fingers off the bowstring, the bow string will push the relaxed string fingers out of the way. A typical good release will involve the string fingers moving in towards the neck on release rather than the fingers opening and moving away from the neck. I think it is very important too to encourage the archer to start expansion before or at the same time as they start to aim. If the archer waits until after aiming before they start expansion, then the shot will very likely be too slow and full of extra tension.

What’s your greatest strength as a coach?

I have a lot of experience both as an archer and as a coach. I have seen every kind of problems and mistakes made by archers and coaches. I do a lot of observation and discussions with the archers to help me understand how and why they make the mistakes they under pressure, then make solutions to help them fix and improve what they do. I aim to teach the archers to understand better their bodies and techniques, and how to prepare themselves better for competition, helping them to cut the mistakes to a minimum. Good scores are not made by shooting more tens but by learning how to stop the mistakes happening. If an archer prepares effectively for each shot, understands how a good shot should feel, visualises that process, then executes the process without fear, then the arrow has to be in the group. I expect all archers to eventually be self sufficient and not have to rely on a coach to perform well.

Do you believe in luck?

Definitely, many matches are won and lost with good or bad luck. Plus you can lose with a good score and win with a bad score.

What’s your favourite sport apart from archery, and why?

I love badminton, I used to play a lot in high school, and my son is now exceptionally good. He is one of the top under 17 players in England. Maybe one day I will become a badminton coach.

Are you going to stop travelling eventually?

I love travelling, I have been travelling ever since I was a small child, so probably unlikely I will ever stop. It has been a real pleasure to work in so many different countries, different languages, different cultures, and religions. I get more pleasure now helping archers to improve, shoot personal best scores, and to win medals than I ever did when I was a competitor.

Thank you Richard. Good luck in Antalya!

korean archery secrets pt.42

18 May, 2014

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The two pics above were taken by Gabriel Buitrago at the Medellin World Cup a couple of days ago. (You can see the rest of his Flickr stream here.) They show the Korean women’s recurve team lining up like… well, schoolgirls, to listen to their coach, Ryu-Soo Jung. The lower pic catches at least the younger members of the Korean men’s team in mid-bow to their coach.  Bowing in South-East Asian culture is a deeply ingrained part of society, and it’s not surprising to see in in sporting contexts, either. I visited Japan a few years ago and went to see a football match (FC Tokyo v Albirex Niigata) where the entire home team squad bowed to each section of each stand after the match, the whole process taking nearly ten minutes before the guys could go off and have a shower. I was personally bowed to for nothing more than buying a few postcards in a shop, which made me feel a bit awkward, frankly.

 

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I ‘met’ Ryu-Soo Jung (above right) in Wroclaw last year, when I got slightly too close to her charges trying to get photographs of the Korean squad for you, dear readers. She gave me a look that could curdle milk. I got out of the way.

The culture of deference towards teachers – indeed, anyone older than yourself – in Korea is based upon Confucian principles, and the education system, while staggeringly successful on a global comparative scale, is frequently criticised by non-Asian Westerners for its pressure cooker atmosphere and lack of creativity, amongst much elseBut in recurve archery, the standardised system of training and complete subservience to coaches has resulted in a deep pool of elite level archers, and a series of results which speak entirely for themselves. No one comes to archery later in life or even in their late teens – the talent is nurtured from age 6 and up. However, the junior archers fit the system, and not the other way around – left-handers, for example, are encouraged to take up other sports and will never make it through the high-school / university / professional system that could take them to an international event or the Olympics.

It is easy to say “this is how it’s done”, but realistically, there is no chance of this happening in any other country. These photographs are a visible representation of a long, deep, pragmatic and complex process that only happens in one place. You can import the coaches, the biomechanical approach to shooting, and the brutal levels of training, but you can’t import the social dynamics, sporting systems and money that Korea has in place to produce recurve archery champions over and over again.

 

Thanks to Chris Hill. 

 

 

Interview: George Harding

12 May, 2014

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George Harding, 26, is shooting recurve for Great Britain in the upcoming World Cup in Medellín starting on Wednesday. He took some time out from preparation to answer my questions.

 

Is this your first senior international?

This is my first outdoor World Cup. I did a small international with the British team in Mexico in November. I have competed in a couple of international indoor competitions such as Face2Face, Vegas, Nimes and Telford.

How are you feeling now, three days out from the start?
I only found out I was going a couple of weeks ago, so I haven’t had much of a chance to think about it in between making sure everything is ready. I’m excited to be going to my first World Cup and massively grateful to Archery GB for giving me this opportunity.

What are your goals for Medellín?
My main goal is to stick to my shot process and enjoy being in this environment for the first time.

What did your typical practice day for this tournament look like?
A typical practice day would be:
Warm up
Close blank boss – 20-30 arrows
70m- 3 ends practice followed by a scored 720 (6 arrow ends)with 10 minute break halfway
Distance or close blank boss 20-30 arrows
Gym- Stability or Core program
Lunch
Warm up
Close blank boss – 20-30 arrows
70m- 3 ends practice followed by a scored 720 (6 arrow ends) with 10 minute break halfway
Distance or close blank boss 20-30 arrows
Gym- Strength or shoulder prehab program
Somedays I will change the afternoon session a bit, either shooting 9 or 12 arrows ends for more volume, or adding in some matchplay practice.

What riser & limbs are you currently shooting and why?
I am currently shooting a Smartriser XM1 with Win&Win Ex-Prime limbs. I’ve spent a lot of time since the end of January testing bows and this is the one which performs the best on the range.
When I first heard about it in 2012 I was curious but sceptical. Having the opportunity to test one this spring was great. On opening the box I could see that this was a piece of equipment which had a lot of thought gone into its design and manufacture. The click adjustment system used for the tiller/ poundage is a great example of this.
The innovative use of structural carbon plates mounted an aluminium chassis along with internal hydraulic damping means that while the riser only weighs just over 960g, it still feels solid. The reduced mass of the riser means that I can use a lot more weight on the stabilisers, which of course adds to it’s stability.
I am still waiting on some results from more quantitive testing but the scores in practice are doing a good job of justifying my choice.

Do you believe in luck?
Yes, it’s just probability in action.

How do you maintain confidence?
I’m really fortunate to have a lot of support from the staff at the Archery GB Performance unit. I work closely with the psychologist who helps me to stay focussed on the things I am in control of as well as positive facts about my performances in practice and competition. Breaking down things which are worrying me into achievable chunks makes tackling daunting situations manageable.
Being able to work with Songi and Lloyd who have both worked with Olympic medalists is a big confidence boost. Between them they have a massive amount of knowledge which I have a lot of faith in.
Simple things like taking photos of good ends and recording scores could help every archer looking to improve.

What’s your favourite sport apart from archery?
I have a taste for extreme sports, anything on the Redbull TV channel and I’m interested.

Do you have any ideas as to how to raise archery’s profile?
Archery has a growing profile as it is. Nottingham City Council’s support of the National Series and European Champs in 2016 is a good example of this, as well as plans for the University of Nottingham to build a purpose built indoor archery range.
I think one way to progress archery is to introduce staged levels of competition. Archery is one of the few sports where a beginner can compete alongside an elite archer, events like the indoor World cups take this to the extreme. Having secondary competitions at these events adds an extra dimension which allows more people to be really involved in competing. Similarly expanding the National Series Finals to include the top eight qualifiers makes reaching the final an achievable goal for a lot more people, which will help raise the sports profile.
I really like how the regional university leagues give teams a chance to compete regularly, in a similar way to World Cups and, closer to home, the National Series. These series create an environment for producing narratives which can be used to sell archery. Opening these events up to spectators who might not have considered watching archery by hosting finals matches in iconic public locations is a great way of presenting archery to the world.

You made an excellent video on YouTube about nocking points. Any more how-to videos in the works?
I’ve been meaning to do another video on an updated version of the nocking point I am now using. I would like to do more I’m just not sure what to do it on. Any suggestions welcome!

OK, some slightly less serious questions….
There’s a rapidly expanding trend towards selfies on social media in international archery. I presume you are not intending to buck this trend this week?
We’ll see. When I find myself in situations which would probably make a good photo I often don’t think to get my phone out, I know other members of the team are likely to be taking photos so I retweet those and enjoy the moment.

What were the last three tracks you listened to?
Lupe Fiasco – Kick, Push
The Libertines – Ha Ha Wall
Jack White – Freedom at 21

What have you got in your pockets?

Not a lot. Keys, phone and wallet.

I’m going to give you a list of things –  for each one, pick an example of that thing that represents you:

…a computer game

…a mode of transport 
Jet pack

…a TV box set for binge-watching
My Name is Earl

…a football team in the upcoming World Cup
England

…ice-cream flavour
Choc Chip

…Beyoncé song

Finally, tell us a joke. 
What did Jay-Z call his girlfriend before getting married? Feyoncé.
Cheers George. Good luck in Medellín!

 

#WCShanghai

29 April, 2014

Well that was fun, although getting up at 7am on a Sunday morning to watch it wasn’t. In the wrong timezone, here…

Full results here: http://www.worldarchery.org/EVENTS/World-Cup

I see the Indian media haven’t changed their aggressive stance on overseas sporting success, which I wrote about previously.

Must repost something from the new trend of ‘podium selfies‘, the immensely talented mixed team recurve sixsome of Juan René SerranoAída Román, Mackenzie Brown, Brady Ellison, Naomi Folkard and Larry Godfrey.  Looking forward to Medellin!

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2014 European Archery Festival – photo diary

27 January, 2014

 

2014 European Archery Festival. © 2014 The Infinite Curve

2014 European Archery Festival. © 2014 The Infinite Curve

 

SATURDAY 25th JANUARY

Telford. Christ.

This, the largest indoor archery event ever held in the UK is being held in Telford. Of all places. The four stages of the archery indoor World Cup are held (in order) in Shanghai, Marrakech, Telford, and Las Vegas. One of these things is not like the other, as even a slightly bemused BBC Midlands crew points out on the Friday night. It reminds me of the “London. Paris. Peckham.” painted on the side of DelBoy’s van. Telford International Centre is a huge shed dumped beside an A-road and used for all the events that matter; Ultimate Dubs, Scale Model World, and the snooker in November. Now it’s being used for something important; and over 900 archers from 40 countries have turned out.

Qualifying. 2014 European Archery Festival. © 2014 The Infinite Curve

Qualifying. 2014 European Archery Festival. © 2014 The Infinite Curve

 

By the time I reach the venue, we are already in the fourth qualification stage of four: sixty arrows, recurve and compound, men and women, recurve and junior – although a couple of brave souls are shooting barebow, and one guy is shooting a horsebow with wooden arrows. Whatta man. The top 32 in each category go through to the eliminations. This tournament is completely open; you are free to turn up and make a score that challenges the greats, if you can. You can almost smell the intense concentration required, as well as the dejection from less vintage performances.

Qualifying at the 2014 European Archery Festival. © 2014 The Infinite Curve

Qualifying at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Qualification 'D'. 2014 European Archery Festival. © 2014 The Infinite Curve

Qualification ‘D’. 2014 European Archery Festival. © 2014 The Infinite Curve

 

In the bleak midwinter. Qualifying at the 2014 European Archery Festival. © 2014 The Infinite Curve

In the bleak midwinter. Qualifying at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

2014 European Archery Festival. © 2014 The Infinite Curve

2014 European Archery Festival. © 2014 The Infinite Curve

 

Bryony Pitman. 2014 European Archery Festival. © 2014 The Infinite Curve

Bryony Pitman. 2014 European Archery Festival. © 2014 The Infinite Curve

 

Alan Wills warming up. Qualification at the 2014 European Archery Festival. © 2014 The Infinite Curve

Alan Wills warming up. Qualification at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

I’ve been trying, but I can’t think of another sport, anywhere, where you can just pitch up as a rank amateur and get to perform literally next to the world’s number one, an Olympic medallist, or a world record holder. All these things happened in Telford. You can run in the same city marathon as Haile Gebrselassie, but they don’t let you start next to him. Many other sports have open competitions, but the top people usually get a bye through. Here, you get to play with the best in the world, straight out. Disabled archers on the same field as everyone else. There’s something magical there. I wander the forests of carbon with my camera, finding joy and disappointment in equal measure.

Becky Martin. 2014 European Archery Festival. © 2014 The Infinite Curve

Becky Martin. 2014 European Archery Festival. © 2014 The Infinite Curve

 

Qualification 'D'. 2014 European Archery Festival. © 2014 The Infinite Curve

Qualification ‘D’. 2014 European Archery Festival. © 2014 The Infinite Curve

 

Crystal Gauvin at the 2014 European Archery Festival. © 2014 The Infinite Curve

Crystal Gauvin at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Vanessa Elzinga and Jamie Van Natta. 2014 European Archery Festival. © 2014 The Infinite Curve

Vanessa Elzinga and Jamie Van Natta. 2014 European Archery Festival. © 2014 The Infinite Curve

 

Rick & Stef. Qualification 'D' at the 2014 European Archery Festival. © 2014 The Infinite Curve

Rick & Stef. Qualification ‘D’ at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Reo Wilde & Adam Ravenscroft at the 2014 European Archery Festival. © 2014 The Infinite Curve

Reo Wilde & Adam Ravenscroft at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

 Qualification 'D' at the 2014 European Archery Festival. © 2014 The Infinite Curve

Qualification ‘D’ at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Eliska.  Qualification 'D' at the 2014 European Archery Festival. © 2014 The Infinite Curve

Eliska. Qualification ‘D’ at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Eliska Starostova, a friend now on the Czech national team is sponsored as an archer by her ‘other’ club Fujian White Crane Kung-Fu. Despite the heroic and (usually) positive sporting associations the general public have with archery, many traditions think of it more as a martial art; a discipline. Kung-fu and archery. It’s a good match-up. Self-discipline. Inner strength. Eliska beat one Naomi Folkard to win an indoor tournament last year. I watch the screens nervously as qualification wraps up while her name hovers around the cut line. Frowning with concentration, she ends up qualifying 26th in women’s recurve. Safety. The work has paid off. The gilded names go on, the vast amateur field get another shot at a second-chance tournament at some ungodly hour the next morning.

Chang Hye-Jin. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

Chang Hye-Jin. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

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In the women’s recurve, a juggernaut arrived last night. Team LH from Korea; five archers, in identical uniforms at all times, no English, terrifyingly good. LH are full-time professionals, sponsored by the state housing company. They took five of the top six spots in qualification, out of ninety-eight top women archers from all over the world. It’s a bit like Real Madrid suddenly pitching up in League 2. The utter dominance of Korea in recurve archery, reinforced in spades over the last couple of years, has become a cornerstone of the international sport. As someone says to me, “I’m just glad they didn’t enter the men’s team. Or their compounders. Because we’d all have been f****ed.”

Sjef Van Den Berg. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

Sjef Van Den Berg. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

As the head to head competition starts, the focus narrows, and the thousand-yard-stares come out. With no wind or rain and the short distance involved, the indoor scores at this level are so high, that the winner or loser can be decided on basically “who blinks first.” Who is the first to shoot a nine rather than a ten. If your opponent can and does score thirty for a three-arrow end, you must be able to do the same. The set system allows for limited opportunities for catching up an error, but the fact remains that international archery competitions are brutal. Brutal on the nerves, brutal on the psyche. Your odds of making the final table are tiny. Poker fields. Over the PA, the results of matches are announced, the fallen are a who’s-who of big names. The world champions. The ones who get featured in the programme. (And Eliska, unfortunately, hammered by a German archer in the 1/16). In barely more than ten minutes, all that work is over.

Tatiana Segina. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

Tatiana Segina. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Aida Roman using 'video assist'.  Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

Aida Roman using ‘video assist’. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Aida Roman and her coach watch each end back on video immediately after she finishes shooting it. She ends up beating her former coach, Song I Woo, who is one of the few archers on the line who looks like they are enjoying themselves.

Songi Woo. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

Thomas Faucheron. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

Thomas Faucheron. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

I watch the quarter-final between Brady Ellison and Thomas Faucheron of France from a prime seat, a slow, ferocious battle. Brady is the huge star here. He has an immense presence on the line, slow, immensely relaxed. This Olympic medallist self-describes on social media as ‘a country boy who just likes to shoot his bow’. He spends most of the time when not shooting besieged by autograph-hunters.

Brady Ellison. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

Brady Ellison. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

Brady Ellison. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

Brady Ellison. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Brady Ellison. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

Brady Ellison. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Brady’s shots seem so strong, so still, so relaxed, that I wonder how he can be beaten. Faucheron holds and holds and holds (usually a road to disaster) yet somehow still manages to pull out the tens. It comes down to a one-arrow shootoff. If the preceding competitive segments were brutal, this is an even nastier weapon. Faucheron wins it, by millimetres. Brady sighs just a little and adjusts his cap, then congratulates him. Next day will be painless.

SUNDAY 26th JANUARY

Chris Wells is the communications director for the EAF. Why Telford, Chris? “Because we’ve used the area before, we saw real potential in the venue, there’s good transport links, hotels on site, plus we got excellent feedback from the archers who’ve been here before (the Back to Back tournament).” All excellent reasons. But unfortunately, it’s still Telford.

Great God, this is an awful place. One of the more famous 1960s new towns, it was created by municipal parthenogenesis, when someone decided to legitimise the existence of a bunch of Shropshire towns and villages by birthing a shopping centre in the middle and uniting them all in joyful retail. A few miles to the south is the bucolic Ironbridge, cradle of the Industrial Revolution and a UNESCO World Heritage Site. But here is just the urtext inflorescence of Crap Britain, a vaporous hell of Wetherspoons and Costa, an ring-road Erewhon, a post-war concrete conurban fantasy guiding all to worship at the crumbling temple complex in the middle – which now has an Asda. Deserted on a Saturday night at 9pm, you can’t get from the “town centre” to the International Centre on the pavement – they’ve ripped it out and haven’t put anything down. You have to struggle through the muddy verges or take your chances on the A-road. Everyone in local hotels is turning up with muddy shoes, including me. Telford: the town that makes Slough look like Florence. Gertrude Stein said of Oakland, California, that: “The trouble with Oakland is that when you get there, there isn’t any there there.” When you get to Telford, there wasn’t anything there in the first place, but someone replaced it with f**k all anyway. Perhaps if you hurtle round the ring road fast enough you can achieve escape velocity from this Travelodge of a city.

Steve Anderson on the Hoyt stand at the 2014 European Archery Festival. © 2014 The Infinite Curve

Steve Anderson on the Hoyt stand at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Steve Anderson on the Hoyt stand at the 2014 European Archery Festival. © 2014 The Infinite Curve

Steve Anderson on the Hoyt stand at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

The other half of this festival is devoted to trade, held in the hall next door. All the big archery manufacturers and many of the British retailers have taken a stall here. Most things are pretty familiar, so I decide to look for things which are new(ish).

Fivics risers at the 2014 European Archery Festival. © 2014 The Infinite Curve

Fivics risers at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

New Fivics risers in pretty colours. Korean glamour.

Win & Win compound bows at the 2014 European Archery Festival. © 2014 The Infinite Curve

Win & Win compound bows at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Win & Win have started producing compound bows, with the usual attention to simplicity and excellence coupled with joyfully peculiar translations.

Shibuya stabs at the 2014 European Archery Festival. © 2014 The Infinite Curve

Shibuya stabs at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Shibuya stabs in awesome bright colours.

Aurel Archery shafts at the 2014 European Archery Festival. © 2014 The Infinite Curve

Aurel Archery shafts at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

I spend a good deal of time talking to René Velarde Rast (above) of Aurel Archery, based in Germany, a man manufacturing some beautiful quality carbon arrows. He is gradually working on a business model based on excellent quality, personal service, and strong relationships with pro shops. Whether he can seriously challenge the Easton machine perhaps depends on long-entrenched attitudes changing; the product is obviously excellent. He is focussing entirely on target archery; no broadheads and skull penetration figures here. I would love to get a bunch of his shafts and piles down to my club; we are currently working collectively on putting together tricky components like bowstrings ourselves, and arrows are one of the more difficult elements of archery to get right (in London this is not helped by a complete lack of archery shops). Seizing control of the means of production, and reducing the import duty on American arrows would help. Rene is also producing aluminium and, uniquely, wood laminate shafts for traditional archers (below). Good show.

Aurel Archery - wood laminate shafts at the 2014 European Archery Festival. © 2014 The Infinite Curve

Aurel Archery – wood laminate shafts at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

I meet up with some of the other London archers and we rattle around the place, waiting for the denouement. I meet Patrick, the hazy genius behind Uukha. I watch a BBC ‘Road To Rio’ TV crew desperately try, with Songi Woo’s help, to pull some quotes out of the Sphinx-like Koreans. After the junior finals have been completed, the main hall is closed off and turned round. We have been promised a special show for the big finale. Lights. Smoke. A show producer from Vegas has been pulled in. Broadcast engineers. The compound archers ‘headline’ this show above the recurvers, in a reversal of the usual order of events. I ask why. The focus is apparently being put on ‘on-the-spot-accuracy’, with tension and cameras and the like, and the inherently more accurate bow is taking centre stage – it should be noted that the main sponsors are also quite compound-oriented, too. They were hoping for more national BBC coverage, but it’s a difficult sell without some Brits in the final.

Finals warm-up at the 2014 European Archery Festival. © 2014 The Infinite Curve

Finals warm-up at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

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The show is indeed a show, designed for the room more than the TV. Aida Roman is first up in the bronze medal match, and she’s amazing. There’s a steely look to her shooting. A more ruthless competitor. If I’ve watched the Olympic individual climax a thousand times… There is no mistake here. She wins looking like a rock star. (If you are really bored, you can watch the feed and see me scurry out to take the picture below.)

Aida Roman: rock star. Finals 2014 European Archery Festival. © 2014 The Infinite Curve

Aida Roman: rock star. Finals 2014 European Archery Festival. © 2014 The Infinite Curve

 

After that, the Korean women put on a masterclass in form for the final, which goes to two shoot-offs. It’s not so much that they look effortless; it’s more that the technique is so ingrained that it looks more natural. It’s learned, like everyone else. It’s just better. The scores, as I check them later, would easily challenge the recurve men. Perhaps the missing media link is just that; remove men’s and women’s classes: totally open competition. I wonder if that’s an idea whose time has come.

Team LH, finals of the 2014 European Archery Festival. © 2014 The Infinite Curve

Team LH, finals of the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Kim Yu Mi at the 2014 European Archery Festival. © 2014 The Infinite Curve

Kim Yu Mi at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Levi Morgan v Paul Tedford at the 2014 European Archery Festival. © 2014 The Infinite Curve

Levi Morgan v Paul Tedford at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

TRU Ball sign at the 2014 European Archery Festival. © 2014 The Infinite Curve

TRU Ball sign at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

All-American chisel-jawed superman Levi Morgan takes the bronze in men’s compound, and when asked how, says he ‘prayed real hard’. It’s about this time I notice the slogan in very small letters underneath the headline sponsor’s logo plastered everywhere. The joys of international archery; the frankly strange cultural clashes, the variety of people and stories united in a common goal. The festival has worked. The big show has come off. It wasn’t perfect, and there’s a way to go, but everything appears to be going in exactly the right direction. It was an event. Where does it go from here?

Erika Jones at the 2014 European Archery Festival. © 2014 The Infinite Curve

Erika Jones at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

All pictures by me (except the one of Aida Roman post-release by Dean Alberga). All rights reserved. If you want to use them, ask me nicely. 

Special thanks to Chris Wells. Was great to meet @StratfordArcher, @archeryashe, @martin_evans and the like. Cheers. 

Stay tuned for an extensive interview with Patrick Huston, hope to bring you that tomorrow.  

John.