Category Archives: World Cup

Cracks In The Armour: Antalya 2018

28 May, 2018

the TAA’s main field in Antalya

Antalya has been and gone, and for archery fans, was a far more gripping spectacle than Shanghai. Holding the competition a few weeks earlier than normal spares the peleton from the beginnings of the worst of the summer coastal heat, when temperatures of 40°C are not unknown. A steady-ish 28°C is about the limit of what you can sit outside all day and still function at the highest level (that’s me, not the archers)  and it turned out that you can do a lot of special things when everything is just right, as the recurve qualification results came in on Monday afternoon, just as the sun started dropping behind the stadium, as the light started to spread.

Diananda Choirunisa

I’m watching the scores come in like boats returning to harbour, and two names: Kim Woojin and Kang Chae Young, are consistently above the red line that indicates the world record average. And they stay there. I run to the men’s end of the field with cameraman Gwenael to get the story. Woojin had been shooting one of the most extraordinary back nines ever. He needed 59 from his last six arrows to break his own world record, set in similar warm, still conditions at the Sambodromo. His teammates knew it, and began taking the piss as he went up to the line. Ron van der Hoff was kind enough to sit on his scope and called them for me.

First arrow is a nine. Woojin’s face twitches. That slightly quizzical look he’s good at. Second arrow… is a nine, and he rolls his eyes. It did and didn’t mean something. No world record. I see the next arrow, which is clearly shot like he couldn’t give a **** where it ends up. He basically throws the last end away, and it’s still a 352 for a total of 697, which would match the fourth highest score in history. And he’s pissed off. 

“Tell me you’re happy!”

We run back to the women’s side, where Kang Chae Young isn’t choking, not for anybody. I watched two of her earlier ends. She looked relaxed, but in a curiously placid way. Just accepting the result. No emotion. Just process. And quick. At one point she was seven points above the world record average.

The finale isn’t dramatic, and ‘just’ a 57. But “The Destroyer” has – very quietly – annihilated the world record. She looks as surprised as everybody else. Her scorecard is relentlessly consistent. Relentless consistency is Chae Young’s stock in trade, and relentless consistency is rewarded in the Korean system, which filters potential frontline teams via multiple gruelling selection tournaments, prizing stamina over flash-in-the-pan brilliance (she rarely finished top of any one day, but didn’t ever finish bottom either). And on this rather lovely afternoon, the least diva-like, most unassuming member of the squad pushes the women’s world record to within 1.3% of the men’s mark.

It wasn’t Bob Beamon’s long jump, but most archery things that are truly remarkable by the sport’s standards are done quietly. It’s something when one of our greater sporting achievements in the last few years is achieved by someone who includes ‘making soap’ as one of their hobbies.

Taipei noir

The record that Woojin matches, the fourth* highest ranking round score in history, was shot by Brady Ellison in Shanghai in 2016. Brady Ellison in Antalya in 2018 is not happy. Despite qualifying well, the painful finger problems that have dogged him over the last season and sank the boat in Vegas and Yankton are still there. How are your fingers, Brady? “I’m ready to quit!” he snarls at me. “I’ve shot 100 arrows since Shanghai.” He’s told me (and many other people) several times over the past few years that he intends to quit recurve and return to shooting compound.

Song Yun Soo

But recently, the double-bowing at the Gator Cup and his apparently endemic injury issues seem to indicate he might be serious. If he did, it would leave USA recurve in an even more parlous state, to say the least. I don’t think I’m out of line by saying it’s not looking very strong in depth right now, two years out from Tokyo. There is a lot of work to do to get two USA teams qualified next year.

Lisa Unruh

The rest of the qualification rounds are relatively unremarkable. By the time Friday rolls around, the glorious sunshine has given way to thunder and rain, soaking the first couple of rounds on Baki Beach, a few miles further down the coast than the normal venue, which is being reconstructed. The Korean men take clinical, disciplined revenge on the USA for Shanghai. It’s an incredibly controlled, classy display. The USA’s cause is not helped by Braden Gellenthein, anchoring, who has decided to shoot a brand new bow. Which he set up last night. And seems to be only capable of shooting nines. He falls apart, and Kris goes with him. It’s carnage.

Then Yeşim Bostan finally breaks her ‘silver medal curse’ and wins on the beach, in front of deafening home support. It’s no secret that her attempts so far have been sunk by terrible performance anxiety; her qualification rounds have been clinical, but on a stage, she’s had trouble – e.g. this shootoff arrow in Rome, if you can bear it. There was only the tiniest hint of the same nerves on the beach, although she didn’t make it look easy. I think now that she’s got past that, the rest of this year may bring some serious silverwa… some serious titles. (I also think Tan Ya Ting might go on a winning run when she finally takes a major gong).  The day finishes with a horrible gold match between Mike Schloesser and Kris Schaff that neither of them, apparently, want to win. Compound at its most neurotic and depressing.

Haydi Türkiye!

Recurve Saturday brings bizarre winds, and endless second guessing. I took some pictures.  The wind is coming from the sea, but the arrows are posting to the right. Also, the way the venue is set up gives a kind of optical illusion to the horizon. Archers seem to be leaning to compensate. The local crew have done pretty well, but it’s pretty difficult making a completely flat arena on a sloping stone beach. Almost a field archery problem. Germany’s women, once they get going, are only narrowly beaten by Korea, who are barely better.

The GBR men take a deserved medal against Malaysia, helped along by the collapse of the Malay second shooter. The Brits had to change their flight as they were booked to return Saturday; ArcheryGB apparently deciding that it was unlikely that any of them would make a final. I’ve long mulled over the financial and psychological ramifications of doing this. The team looks good. Seems like there must be better options available. Then Japan’s men push Korea’s men hard, especially in the last two sets. The result is as expected, but something seems to be in the air.

Turkey thump Chinese Taipei in recurve for a bronze. It’s a stunning coup really. They deserve it. They outshoot them. Then the real upset comes, as Japan sweep aside Korea for mixed team gold.  Hyejin looks exhausted. There’s something in her face, waiting to go on, that says she doesn’t want to be there. Like, she’s had enough. Japan look great, Korea look bad.

Then Lei Chien-Ying, who seems to be de facto captaining the Taipei women these days, looked incredibly confident and dominant in her dismantling of Lee Eun-Gyeong. Probably, quietly, the performance of the day. Watch it again. She knows she’s going to win. Two losses, and she walks back on like she has it won anyway.

When Perova walks on, you could sort of sense the repeat of Mexico waiting to happen, and after the first end, you pretty much knew it was going to. I’ve written before about Perova, and her brutalist approach to archery; her technique is ugly, but effective, and she seems to be utterly free of any self-doubt whatsoever at one crucial moment: whenever she steps onto the line. It may be a Russian cliche, ‘do or die’. But it works. And so it proves. It’s a scrappy, dreadful match really, and by the denoument, you just knew the shoot-off was only going one way. Perova defends her title, and Korea have lost three recurve finals in a row.

Chang just looks glad that it’s over. The Korean Archery Association, in their infinitely opaque wisdom, have decided that she and Woojin are the mixed team this year, not basing it on ranking round scores like most (but not all) archery nations.


The problem is that if she has to pull a triple shift like today – team, mixed team and individual – the familiarity of the arena is outweighed by the exhaustion of maintaining focus over such a long day of shooting, outdoors, in the heat, with all the noise and expectation around you. It’s a lot of weight on some very tiny shoulders.

The day before, So Chaewon had had to pull a quadruple shift: team, mixed team, individual and then make-up retouched and back out to accept the Longines prize. A lovely problem to have, but the poor girl was sitting with her head in her hands by the end. It’s more work that it looks.

The day finishes with the Korean men putting on a masterclass, and a showcase match of almost sublime quality between Lee Woo Seok and Kim Woojin. The sight of three white shirts on the podium rather smooths over the fact that Korea lost three in a row. I twice watched an assembly of archers and coaches from [major archery nation] cheering loudly when Korea got thumped. You felt the actual quality hadn’t gone, but the big Asian and other nations that can match them in technique must be emboldened. Their knack of just winning seemed to desert them.

It remains, of course, to be seen whether any of the other Asian squads will be able to ‘do the big job’ and snatch gold in Jakarta. But some of the spell seemed have gone away by the end of the day. Korea will be absent from the Salt Lake stage. Which means Berlin will be very interesting indeed.

So many other things I could tell. Which [famous archer] ‘forgot’ to do their media interview, and left the venue, despite the interview having been pre-sold to [name of TV channel] in [country] and had to be ‘recalled’ by a rather important member of the archery community?  Who got involved in a thrilling altercation at an airport?  Which [gender] team from [major archery nation] finished Saturday pounding so many beers by the Rixos pool that two of them had to walk one of their very unsteady coaches back to their room?  But unfortunately, I’m bound by the same rules that apply to bands: what happens on tour, stays on tour. You’ll just have to wait till I see you next. 🙂

*This originally said that it was the third highest score in history. Thanks to Nick Taylor-Jones for pointing out that the third highest was Kim Bubmin’s 698 at London 2012, unfortunately and unluckily overshadowed by Im Dong-Hyun breaking the record with 699 at the same event.

New rules, new strategies in target competition (and an idea)

17 January, 2018

The decision of the World Archery executive board to make some changes to World Cup competition is great news. You can read the full post here, but here’s the juicy bits:

…the winner of each stage of the circuit automatically qualifies for the Hyundai Archery World Cup Final.

As they note, this wouldn’t have made a lot of difference to the Final line-ups in recent years, but will increase the importance of the gold medal match, especially to broadcasters and highlights packages. It also makes the final stages a little more exciting.

An adjustment to medal match procedures on the circuit sees the higher-seeded athlete choosing to shoot first or second, and the lower-seeded athlete on the left or right target.

This adds just a little bit of strategy to the play. There are always a few athletes who claim – rightly or wrongly – that the wind affects one target more than another. I suspect based on my limited experience that most of the time this simply is not true, but if athletes believe it to be true, then it may as well be. 🙂

Only the top two seeds at the Hyundai Archery World Cup Final will be pre-seeded at the top and bottom of the bracket, with the other six competitors drawn out of a hat two days prior to the event.

This mixes things up just a little and may well result in the ‘home’ athletes getting a slightly more favourable draw and more than one match, which is good news for audiences.

Generally speaking, I am in favour of increased strategic elements to matchplay, on the grounds that it will increase the audience for archery and drive TV figures, which I think ultimately will be good for the sport.

I think they could even go a bit further. 🙂 I’m going to share with you an idea I had about shoot-offs, to add a deep strategic element and allow for maximum drama under pressure. See what you think!  Leave me a comment here or on Facebook. Suggestions and brickbats equally welcome:

A shoot-off is declared.

The archers choose who goes first by coin toss, or it is decided randomly in the scoring software.

The first archer due to shoot shoots ONE arrow.

He then gets the choice as to whether to shoot a second arrow or let it stand. (YES/NO)

He indicates this choice to the judge.

If NO, he lets the arrow stand as scored and his opponent gets to shoot ONE arrow, and the closest wins as usual (just like a normal shoot-off).

If YES, his first arrow is removed from the target, and he shoots another.

This becomes his scoring shoot-off arrow.

His opponent then gets to shoot TWO arrows. The closest one to the centre counts as his shoot-off arrow.

Whichever archer is closest to the centre wins as usual.

Anyway… looking forward to this outdoor season a little more now. 🙂

 

Another storm from the east: Antalya 2017

13 June, 2017


I took this photo of Brady Ellison literally just a few seconds before he went onstage for the final match at the 2017 Antalya World Cup. JC Valladont was immediately in front of him, and he’d already been waved through the curtains.

I’ve taken many photos of Brady now, but I don’t think I’ve ever had one where he’s actually looking straight at me. It’s also one of only a couple I’ve taken that seem to capture something of the man and the competitor. Mostly I prefer documentary photography, when the photographer removes himself (in a loose philosophical sense) from the subject. But the directness of his gaze in a photo like this suddenly says something about the photographer. I’m part of it. In the room. It becomes a portrait. Also, Dean Alberga was kind enough to help me with the editing, which is half the real magic these days. Pulling the grain from the stone. (If you want to go deeper, you’ll have to start reading this).

He went out there and nailed one of the most exciting matches witnessed this year, a battle of two guys who genuinely like and respect each other – they hang out and go fishing – and yet would give absolutely no quarter. Every single person in the house, every archer was hanging on to the railing for that match, which didn’t happen for anything else. Everyone wanted to be there.

Brady opened with an 8 in the third, then Valladont matched it, knowing it was bad when it left the bow, bending his body to try and curve it in. He followed with two nines, and Brady had two points on the board, but opened with a nine in the fourth with the score 4-2.

Annoyed, he angrily nocked the next arrow. Both archers had a 9 and a 10 for their first two, but Brady kicked the door wide open with an 8 to finish. Valladont only needed a nine, which he delivered emphatically – although it was instantly upgraded to a 10. Valladont had his second World Cup gold, and over one of the strongest opponents in the world.

In the end, it was Valladont’s finishing kick, which had deserted him in the mixed team. It came back, and he was simply a little stronger. He deserved it. But Brady would have deserved it too. There was something in the air.

__________________________

Ren Hayakawa.

I was there working for World Archery on the media team, the fifth or so time I’ve been out to do so at one of these events. This delivery was relatively smooth, although it’s invariably a team effort which requires solving new problems every day. No-one realises quite how much work is involved by World Archery and the dozens and dozens of local staff and volunteers to make it happen, and then happen again two weeks later somewhere else. It’s a big, lumbering machine rather than a well-oiled one, but the dedication to making the magic happen is marked by almost total professionalism. It’s quite a special thing to be a part of.

We had awesome translators for pretty much every language, and came up with cunning technological workarounds for the ones we didn’t. I even managed to get the Russian team to say something.  We had someone jury rig air conditioners to our media shed on the finals field so we didn’t collapse in the heat – like some team members did last year, when Antalya hit 40 degrees in the shade. Everyone else had to stay outdoors all day. Sorry.

A Korea, China and Netherlands-less stage felt like it could have the air of a letdown, but there was some incredible quality shooting going on. I wish I had more time to blog. There isn’t any spare time, or if there is, there isn’t any spare energy. None.

Lexi Keller

Denmark became the Korea of compound; you might get a look in for a gold medal, but don’t get your hopes up. One well-known compound archer got annoyed with the media team for reporting that they had lost a match, and wouldn’t speak to us again. One well-known recurve archer was suddenly removed from the attending list a couple of weeks beforehand, and everyone eventually found out why. Oh, I wish I was allowed to share more of the gossip.

Antalya is the Criterium du Dauphine of archery. History under blazing sunshine. It was worth all the sweat, all the hard work to see that final. It represented the sport at its best, as representative of the best. It was beautiful.

Look out for a photo essay in the next-but-one issue of Bow International

You can read what I wrote about the 2014 Antalya World Cup here.

World Cup Shanghai – teams / finals pics

3 May, 2016

For pics of Great Britain’s recurve men at #WCShanghai, click here.

AWCShanghai-0821

 

AWCShanghai-0547

mixed team semi

AWCShanghai-0690

Tan Ya Ting, Laxmirani Mahji

AWCShanghai-0697

Deepika Kumari

AWCShanghai-0712

Wen Chen Hung

AWCShanghai-0718

Zach Garrett

AWCShanghai-0749

the view out of my hotel room window, 6.30am

AWCShanghai-0756

Rick Van Der Ven

AWCShanghai-0885

this thing

AWCShanghai-0924

no idea, sorry

AWCShanghai-0952

KOR-GBR

AWCShanghai-0528

Maja Jager

AWCShanghai-0800

Elena Richter

 

FINALS

AWCShanghai-0186

KOR ladies

AWCShanghai-0199

India ladies, warm-up field

AWCShanghai-0301

Dutch arrows

AWCShanghai-0302

KOR arrows

AWCShanghai-0350

Brady, mixed team final

AWCShanghai-0394

Brady & Khatuna, mixed team final

taipei yeah

Chinese Taipei YEAH

AWCShanghai-0420

Sjef Van Den Berg

AWCShanghai-0444-2

Sjef / Zach

bows bows bows

2 May, 2016

AWCShanghai-0772

Denmark ladies’ bows

If you’ve been reading my blog on a vaguely regular basis you’ll know that I focus more on the sport side of things than the equipment side, partly because I feel that’s well covered elsewhere.

But someone asked nicely, so on Friday morning (team day) I decided to scribble down what every recurve team in this World Cup was using.

I didn’t have time to note individual models, or who was slinging what. Sorry. Had work to do. If it’s Hoyt, it’s very likely a GMX or Prodigy series riser and almost certainly Quattro limbs. If it’s Win & Win, limbs wise it’s increasingly Wiawis but quite likely Inno Ex Power. Win & Win risers were well mixed amongst their older and newer, carbon & aluminium offerings.

This is apropos of nothing, and you can take from it whatever you like.

IMPORTANT:

1) I think I got most of it right but it was done quickly and there’s a likely possibility of some errors. This is for information only, and is not to be relied upon in any way.
2) These are the bows of the three-member teams participating in the team rounds.
3) Don’t forget a large number of archers and teams at this level are sponsored in one way or another, which might in turn affect the ‘result’ in one way or another.
4) Most importantly: this is an observation of what was on the line at the Shanghai World Cup in 2016, not a peer-reviewed study of trends in the archery industry. It may not mean very much at all!

Scroll to the bottom for totals.

Format is: riser / limbs

MEN’S TEAMS

Japan

W&W / W&W
W&W / W&W
Hoyt / W&W

Spain

W&W / W&W
Hoyt / Hoyt
W&W / W&W

Nederlands

Hoyt / Hoyt
Hoyt / Hoyt
Hoyt / Hoyt

Russia

Hoyt / Hoyt
MK Korea / Hoyt
Hoyt / Hoyt

USA

Hoyt / Hoyt
Hoyt / Hoyt
Hoyt / Hoyt

Canada

Hoyt / Hoyt
Hoyt / Hoyt
W&W / W&W

GBR

Hoyt / Hoyt
W&W / W&W
W&W / W&W

Australia

Hoyt / Hoyt
W&W / W&W
W&W / W&W

Korea

Hoyt / MK Korea
W&W / W&W (RXT)
W&W / W&W (RXT)

China

Hoyt / W&W
W&W / W&W
Hoyt / MK Korea

Mexico
Hoyt / Hoyt
Hoyt / Hoyt
Hoyt / Hoyt

Chinese Taipei
MK Korea / MK Korea
W&W / W&W
Hoyt / MK Korea

India
MK Korea / W&W
Hoyt / Hoyt
W&W / W&W

Denmark

MK Korea / W&W
Hoyt / MK Korea
MK Korea / MK Korea

France

Hoyt / Hoyt
W&W / W&W
Hoyt / Hoyt

Indonesia

Hoyt / Hoyt
Hoyt / Hoyt
Hoyt / Hoyt

Germany

MK Korea / W&W
Hoyt / MK Korea
MK Korea / MK Korea

 

 

 

WOMEN’S TEAMS

Germany

Hoyt / Hoyt
Hoyt / Hoyt
Hoyt / Hoyt

Japan

W&W / W&W
W&W / W&W
W&W / W&W

Indonesia

W&W / W&W
Hoyt / Hoyt
Hoyt / Hoyt

China

W&W / W&W
W&W / W&W
W&W / W&W

Denmark

Hoyt / Hoyt
Hoyt / Hoyt
Hoyt / MK Korea

Turkey

Hoyt / Hoyt
Hoyt / Hoyt
Hoyt / MK Korea

USA

Hoyt / Hoyt
Hoyt / Hoyt
W&W / W&W

India

W&W / W&W
W&W / W&W
MK Korea / MK Korea

Russia

Hoyt / Hoyt
MK Korea / W&W
MK Korea / W&W

Colombia

Hoyt / Hoyt
Hoyt / Hoyt
Hoyt / Hoyt
(all the same colour!)

Spain

Fivics / Fivics
W&W / W&W
Hoyt / Hoyt

GBR

Hoyt / Hoyt
Hoyt / Hoyt
W&W / W&W

Georgia

Hoyt / Hoyt
Hoyt / Hoyt
Hoyt / Hoyt

Korea

W&W / W&W
W&W / W&W
Hoyt / W&W

TOTAL using Hoyt risers: 53
TOTAL using Hoyt limbs: 44

TOTAL using Win & Win risers: 29
TOTAL using Win & Win limbs: 37

TOTAL using MK Korea risers: 10
TOTAL using MK Korea limbs: 11

TOTAL using Fivics limbs: 1
TOTAL using Fivics risers: 1

________________

one night in Bangkok (and the world’s your oyster)

10 December, 2015

BANK15_B15_0652-L
So the Bangkok leg of the 2015-2016 indoor World Cup is wrapped. In men’s recurve Brady Ellison equalled the world record in qualifying with 597, closely followed by Oh Jin Hyek with 594. In the end, both of them smashed through the brackets to face each other in the final, with Brady winning 6-2 – his second tournament victory in a row over the Olympic champion, having beaten him during the 2014 World Cup Final. Luis Alvarez took the bronze.  In women’s recurve, Aida Roman was absolutely on fire as she defeated three top Koreans in a row to win here, including Yeji Sim, the world youth team champion.

In compound, Reo Wilde took his new Elite bow all the way to gold, defeating Matt Sullivan with a 149 in the final. Logan Wilde took the bronze to give the USA a full podium. On the women’s side, Toja Cerne beat Chae Won So of Korea to claim her first world cup gold medal, with Crystal Gauvin beating Lexi Keller for bronze.

Full results on IANSEO. 

New Beginnings

30 April, 2015

Photo 30-04-2015 10 26 03

So… I’m off on a big old trip. Will be working for World Archery at the Shanghai World Cup as part of the communications team. Will be updating this blog and the Facebook page where and when I can, but most of my time will be spent working on the WA news pages. After that I’m going to Korea, with just *possibly* some archery-related stuff to do when I’m there… 🙂 Yes, I am excited!

UPDATES:  I have updated the blog design with a lot of help from Dave at I Can Make You Website. If you need something building, he’s good. I went for something a bit cleaner and simpler, a bit more ‘Swiss‘. You’ll also note the awesome coloured tag buttons, and if you scroll to the bottom, try hovering over the ‘Older Posts’ and see what happens.

1497666_531174150350254_7054062997989622922_n  logo3

LOGO. Unfortunately I’ve had to retire the Rama logo, which by the way is from a fantastic book called Ramayana: Divine Loophole, which I highly recommend. One day I hope I can get the author Sanjay Patel to make me my own Rama image. Until then, right now I’m going with something very different, this more abstract, clean logo designed by Dave out of a Worcester face, which can be interpreted in a few ways. Hope you like it.

MUSIC. I’ve also added some music via Spotify. You can follow me here.  I’ve seen a few ‘archery music playlists’ around, and while all opinions of popular music are horses-for-courses, they really weren’t for me. I’ve got two playlists up at the moment. The first, ‘Outdoors’, is a collection of acoustic, folk, roots, and Americana. I was trying to grab a little of the ‘magic hour’ feeling of shooting outdoors just as the sun is coming down. Sunshine & breeze. People and the outdoors. Something like that anyway. That playlist is up on the little player below.

The second playlist is a collection of more abstract, drone, ambient and contemporary classical music, much of which I have actually listened to when shooting blank boss at home – especially trying to find something non-distracting which calms the brain but keeps you alert. So both indoors, and ‘inside’. You can find that one here. Lots of interesting stuff to discover. Email me if you want more. (PS: I don’t recommend you wear headphones on the range).

I might add some more music, or more playlists. I might rotate them. I might not. Mwuh-ha-ha-ha. Anyway, as always… enjoy. John. x

Ten tips for taking great archery photographs

15 February, 2015

Dean Alberga at AGB with masterclass attendants. Photo: Jane Percival

Dean Alberga at AGB with masterclass attendants. Photo: Jane Percival

A couple of Saturdays ago me and about 20 other photographically-inclined members of Archery GB were treated to a masterclass from Dean Alberga at Lilleshall National Sports Centre. There’s no such thing as a free lunch: this lesson from the capo di tutti capi of modern archery photography was organised in the expectation that we would be delivering our much improved photographs to Archery UK, the magazine of Archery GB.

Dean has been working for World Archery since 2006. I can’t replicate his experience (let alone his smiles, geniality, or cracking anecdotes) but I will try and summarise some of what he said in our four hour session in a mostly non-technical way.  A fair bit of what he said is applicable to digital and sports photography generally – there may be some unfamiliar areas (there were plenty for me) but if you get stuck just follow any of the links below.

Make sure to have a look at Dean’s website: dutchtarget.com.

Camera_Obscura_box18thCentury

1. Get the right equipment. Dean recommends a DSLR with fast auto-focus, capable of taking at least three frames per second. You’ll need at least two lenses: a telephoto zoom, preferably 100-400mm and a wide angle zoom. It may well be more than you need to take photos of your local tournament, but a full rig from Canon or Nikon will set you up to create seriously extraordinary results. This is the ideal setup for getting professional photographs and close-ups of archers from the ‘1.30pm angle’, but will cost you a good deal of money.

If a full-frame camera and two heavy bits of serious glass are out of your range, you should start looking at the range of excellent midrange models which use APS-C format and lenses, or perhaps mirrorless system cameras (sometimes called DSLMs). * [see note below]  Definitely avoid so-called ‘bridge’ cameras with a non-removable zoom lens as they are less flexible, make a poorer image due to cheaper glass, and have a low resale value. You want to do this properly, right? 🙂

For post-processing, Dean recommends Adobe Lightroom and / or Adobe Photoshop for editing photos (he uses both) and you will need a decent computer with a good, clear, accurate screen (he uses an Apple MacBook Pro with a retina display). You can now rent both Lightroom and Photoshop by the month, and there are other processing software solutions available, such as Aperture for OSX (soon to be replaced) or a variety of free/cheapware solutions for the PC and Linux. All can perform the basic steps required to deliver images to a client, and all have advantages and disadvantages.

You will also, of course, need many accessories as well – memory cards, a tripod or monopod, external drives, and Dean was keen to point out that you shouldn’t skimp on a bag / carry case. Oh, and whether it’s arrows or photographs: always check the weather before you go out to shoot. Planning is vital.

Lausanne 2014 finals practice field. Photo; Dean Alberga / Dutch Target.

Lausanne 2014 finals practice field. Photo; Dean Alberga / Dutch Target.

2. Teach yourself how to take photographs.  You could spend ten minutes on this or the rest of your life. 🙂

Firstly, you should start with learning basic composition and the rule of thirds. Dean recommends looking for different lines and angles and trying to get some depth to the shot by including some of the tournament infrastructure (e.g. targets) in the background. You can, of course, only learn how to break the rules when you know them in the first place!

Next, you are going to have to spend a few sessions learning how to shoot in semi-auto modes and what shutter speed, aperture, and ISO all do and the link between them. Next would be understanding white balancing, the difference between JPG and RAW files, and how to use burst mode (to get that classic arrow-leaving-the-bow shot). YouTube tutorials are definitely your friend here. (For a general introduction to digital photography, I enjoyed this book a lot.)

Jake Kaminski. Photo: Dean Alberga / Dutch Target

Jake Kaminski. Photo: Dean Alberga / Dutch Target

3. Find out what your client wants. Your client might just be you and your Facebook page, your club’s website, an archery magazine or even a national newspaper. What are they expecting? Poses at full draw, the home country, a specific athlete, the trophy in the air – what are they looking for? There are technical issues too. What ratio are your photos going to be published in? – you may need to crop depending on your sensor size.  Are they expecting JPG files or RAW? Should you be editing them first or leaving them as is (answer: the latter!). If your photos are going to end up in magazines, you may even need to get down and dirty with CMYK profiles. Find out what people want, and deliver it to them.

4. Look for something different. Everyone has seen hundreds of shots of archers at full draw, from a dozen angles. Maybe you can try to catch something else. Dean has lain on his back on the grass, shinned up flagpoles, knocked on the doors of apartments overlooking the field and much else to get an interesting photo. Over longer tournaments, he picks a different thing to look for each day to keep things fresh, whether that be close-ups, emotions, colour or something else – but you should always keep an eye out for what might be happening.
Ideally, you should get to a new venue early and look for good spots. You might find a shot at all sorts of odd times (like I did at official equipment inspection or warm-ups). Dean takes around 1000 photographs a day at major tournaments.

Photo: Dean Alberga / Dutch Target

Photo: Dean Alberga / Dutch Target

Antalya finals field from drone camera at #AWC2014 Photo: World Archery

Antalya finals field from drone camera at #AWC2014 Photo: World Archery

5. Make friends. With the athletes, with the team managers, with the coaches, with the judges, and definitely with the security guards on the gate. This can open up all sorts of photographic doors. Dean illustrated this with a pic he took at London 2012, where in a press pack scrum after Im Dong-Hyun had broken the ranking round world record, he asked Im (a friend) to turn round and got the shot everyone else was looking for:

Im Dong-Hyun at London 2012. Photo: Dean Alberga / Dutch Target

Im Dong-Hyun at London 2012. Photo: Dean Alberga / Dutch Target

6. Get up early. Being up and about at first light is a staple of photography, and essential for catching one of the magic hours. One of Dean’s favourite images was taken early in the morning at the tournament in Ogden, Utah in an atmospheric shot that captures both the tournament and the spectacular backdrop:

Ogden 2012. Photo: Dean Alberga / Dutch Target

Ogden 2012. Photo: Dean Alberga / Dutch Target

7. Always keep an eye out for what could be happening elsewhere – this could be particularly applicable in head-to-heads, when the archer not currently shooting is preparing themselves. Your point of focus need not always be the athlete currently in ‘action’. Dean demonstrated this with a picture of Aida Roman preparing herself to shoot, but this picture taken after the final of the 2015 Australian Open artfully demonstrates it too:

Novak Djokovic and Andy Murray. Photo: The Guardian

Novak Djokovic and Andy Murray. Photo: The Guardian

8. The real work is done afterwards. Digital photography in recent years is as much about editing as getting the shots in the first place.

Firstly and most importantly, Dean recommends a process to protect your photographs. After you’ve finished a shoot, copy all the shots from your memory card onto your computer and into a clearly marked folder saying something like “2015 Telford Shoot Day 1- original files” or whatever.  When you have copied them into you editing software library and edited them, print the edited photographs to another folder clearly marked “edited files”. Then copy both folders onto an external drive or memory stick. Only then should you delete the photographs on the memory card. In this way you always have a backup if something goes wrong.

There are whole books and websites – and indeed, careers – devoted to digital photo editing, and it’s way beyond the scope of this (or any) one article. Cropping is the most important, but in order to deliver the best photographs you can, you will need to learn about noise reduction, dodging and burning, spot removal, using the adjustment brush, sharpening, reading histograms and correcting colour casts, amongst much else. Again, YouTube is your friend here; there are a gazillion tutorials available with a quick search. Take the time.

This could be a long process of learning, but it will ultimately improve your photographic output enormously, and enable you to save photographs which appear unsalvageable. Dean suggests that if you have a photo that isn’t magazine-cover-quality but which otherwise works, it may still be useful as a background, or it may work in monochrome. Basically, if in doubt: keep it.

034809

9. If there are sponsors banners visible, try to get them in the frame. This might even lead to a handy sale down the line. 🙂

LAU_DA1_6508-1424x949

10. Getting it out there. When you are happy with your results, you need some way of sharing it with the world. Dean uses SmugMug for both World Archery work and his own Dutch Target website. This charges an annual fee, but is easy to use for both photographers and customers alike. There are other professional portfolio sites (such as PhotoShelter) and many other photo-sharing services, of which Flickr remains the most popular amongst amateurs. Then you might try and find a market for your work – but that’s a whole other chapter… 🙂

Finally, I think this shot of Brady Ellison at the 2014 World Cup Final is my favourite shot of Dean’s. Just seems to express everything glorious about sport:

Photo: Dean Alberga / Dutch Target

Photo: Dean Alberga / Dutch Target

Thanks Dean! We will all try and do you proud.

*I’ve been very happy with and produced some decent images with cameras and lenses from the Micro Four Thirds system developed by Panasonic and Olympus. MFT and other ‘mirrorless’ system cameras have the advantage of getting DSLR-like-or-as-near-as-makes-no-difference-to-most-of-us results from a system that is usually smaller, lighter and cheaper.  The system has a large range of zoom and primes available, although unlike a DSLR they do not use a full-frame sensor, which may ultimately be limiting, particularly from a professional angle. As usual, it all depends on your expectations and what you want to achieve!

Special thanks to bimble at AIUK for the lift. 

Interview: Crispin Duenas

5 August, 2014

Crispin Duenas at official practice for World Cup Wroclaw 2014. Photo: WELLS/WORLD ARCHERY

Crispin Duenas at official practice for World Cup Wroclaw 2014. Photo: WELLS/WORLD ARCHERY

 

On the eve of the final World Cup stage of the year in Wroclaw, Crispin Duenas of Canada took some time out from official practice to answer my questions. Thanks Crispin! 

So, we’re almost on the start line in Wroclaw, you have a chance of making the grand final… how are you feeling?

I’m feeling confident that I can still make it to the final. I have made it to the medal matches in world competition before so this is no different than any of those previous situations.

What does official practice day for a World Cup event look like for you?

It just consists of getting used to where my target is, making sure that all of my equipment is good to go, meeting my target-mates and finding out what colour nocks they are shooting; I don’t want to have any confusion with arrows that have the same fletching and nock colour in the target.

What is the most satisfying part of the sport to get right?

The most satisfying thing is consistently executing a nice relaxed but strong shot. When everything is relaxed, my arrows never miss the centre of the target.

Do you have any ideas as to how to raise archery’s profile?

I think the proper steps to raising archery’s profile are already being taken. Aside from the movies in Hollywood, World Archery has made the viewing of World Cups and World Championships extremely easy for anyone with a computer. Our eliminations are easy for anyone to understand, as well.

Can you give us a practical archery tip that you follow yourself? 

There’s a time for experimenting and a time for performance. Know when you’re supposed to do each and stick to your plan.

Is there a piece of advice you wish you’d given to yourself ten years ago?

Always keep a calm head. Temper tantrums really get you nowhere on the archery field.

What sacrifices have you made for archery?

The biggest sacrifice I’ve made for archery is the amount of time I spend at home. I don’t get to see my family all the often, and usually there will be family events where I can’t go because I’m away at a tournament or training.

How do you deal with frustration?

I deal with frustration by just reminding myself that archery is a game of precision and being frustrated or tense will not help my shooting. It’s just better to stay calm and relaxed when things aren’t going my way.

Do you believe in luck?

I believe there is some extent of luck on the shooting field. A great example of this is in set play; an archer with a lower overall raw score can still win a match in terms of set points.

What’s your earliest memory of archery?

My earliest memory of someone shooting a bow was from when I watched Robin Hood on TV. Other than that, I really didn’t see real archers until I started archery lessons at the age of 13.

What’s your favourite sport apart from archery and why?

My favourite sport outside of archery (that I practice) is road biking. For me it’s a great workout, but it’s peaceful when I’m cycling alone and just keeping my pace up. On the other hand, I love watching all the sports during the Olympics, both summer and winter. Seeing athletes push themselves to be the best motivates me to be better.

You’re a musician, aren’t you? Tell me about that.

Well I wouldn’t really call myself a musician. I do, however, like playing my instruments in my spare time. The two that I mainly play now are the guitar and piano. I also play the flute, trumpet, and drums. It’s pretty much another form of relaxation for me.

What were the last three tracks you listened to?

The last three tracks I listened to were “Chasing the Sun” by Sara Bareilles, “Hall of Fame” by The Script, and “Kings and Queens” by Thirty Seconds to Mars.

What can you cook?

I can cook several different dishes (my girlfriend loves it when I cook omelettes, so she tells me 😉 ) but I think the best food I cook is steaks on a charcoal BBQ. My parents really trust my cooking of a steak and will always hand that duty off to me.

Crispin Duenas at official practice for World Cup Wroclaw 2014. Photo: WELLS/WORLD ARCHERY

Photo: WELLS/WORLD ARCHERY


Follow Crispin on Twitter here