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2014 European Archery Festival. © 2014 The Infinite Curve

SATURDAY 25th JANUARY

This, the largest indoor archery event ever held in the UK is being held in Telford. Of all places. The four stages of the archery indoor World Cup are held (in order) in Shanghai, Marrakech, Telford, and Las Vegas. One of these things is not like the other, as even a slightly bemused BBC Midlands crew points out on the Friday night. It reminds me of the “London. Paris. Peckham.” painted on the side of DelBoy’s van. Telford International Centre is a huge shed dumped beside an A-road and used for all the events that matter; Ultimate Dubs, Scale Model World, and the snooker in November. Now it’s being used for something important; and over 900 archers from 40 countries have turned out.

Qualifying. 2014 European Archery Festival. © 2014 The Infinite Curve

By the time I reach the venue, we are already in the fourth qualification stage of four: sixty arrows, recurve and compound, men and women, recurve and junior – although a couple of brave souls are shooting barebow, and one guy is shooting a horsebow with wooden arrows. Whatta man. The top 32 in each category go through to the eliminations. This tournament is completely open; you are free to turn up and make a score that challenges the greats, if you can. You can almost smell the intense concentration required, as well as the dejection from less vintage performances.

Qualifying at the 2014 European Archery Festival. © 2014 The Infinite Curve

Qualification 'D'. 2014 European Archery Festival. © 2014 The Infinite Curve

In the bleak midwinter. Qualifying at the 2014 European Archery Festival. © 2014 The Infinite Curve

Bryony Pitman. 2014 European Archery Festival. © 2014 The Infinite Curve

Alan Wills warming up. Qualification at the 2014 European Archery Festival. © 2014 The Infinite Curve

I’ve been trying, but I can’t think of another sport, anywhere, where you can just pitch up as a rank amateur and get to perform literally next to the world’s number one, an Olympic medallist, or a world record holder. All these things happened in Telford. You can run in the same city marathon as Haile Gebrselassie, but they don’t let you start next to him. Many other sports have open competitions, but the top people usually get a bye through. Here, you get to play with the best in the world, straight out. Disabled archers on the same field as everyone else. There’s something magical there. I wander the forests of carbon with my camera, finding joy and disappointment in equal measure.

Becky Martin. 2014 European Archery Festival. © 2014 The Infinite Curve

Crystal Gauvin at the 2014 European Archery Festival. © 2014 The Infinite Curve

Vanessa Elzinga and Jamie Van Natta. 2014 European Archery Festival. © 2014 The Infinite Curve

Rick & Stef. Qualification 'D' at the 2014 European Archery Festival. © 2014 The Infinite Curve

Reo Wilde & Adam Ravenscroft at the 2014 European Archery Festival. © 2014 The Infinite Curve

Qualification 'D' at the 2014 European Archery Festival. © 2014 The Infinite Curve

Eliska. Qualification 'D' at the 2014 European Archery Festival. © 2014 The Infinite Curve

Eliska Starostova, a friend now on the Czech national team is sponsored as an archer by her ‘other’ club Fujian White Crane Kung-Fu. Despite the heroic and (usually) positive sporting associations the general public have with archery, many traditions think of it more as a martial art; a discipline. Kung-fu and archery. It’s a good match-up. Self-discipline. Inner strength. Eliska beat one Naomi Folkard to win an indoor tournament last year. I watch the screens nervously as qualification wraps up while her name hovers around the cut line. Frowning with concentration, she ends up qualifying 26th in women’s recurve. Safety. The work has paid off. The gilded names go on, the vast amateur field get another shot at a second-chance tournament at some ungodly hour the next morning.

Chang Hye-Jin. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

In the women’s recurve, a juggernaut arrived last night. Team LH from Korea; five archers, in identical uniforms at all times, no English, terrifyingly good. LH are full-time professionals, sponsored by the state housing company. They took five of the top six spots in qualification, out of ninety-eight top women archers from all over the world. It’s a bit like Real Madrid suddenly pitching up in League 2. The utter dominance of Korea in recurve archery, reinforced in spades over the last couple of years, has become a cornerstone of the international sport. As someone says to me, “I’m just glad they didn’t enter the men’s team. Or their compounders. Because we’d all have been f****ed.”

Sjef Van Den Berg. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

As the head to head competition starts, the focus narrows, and the thousand-yard-stares come out. With no wind or rain and the short distance involved, the indoor scores at this level are so high, that the winner or loser can be decided on basically “who blinks first.” Who is the first to shoot a nine rather than a ten. If your opponent can and does score thirty for a three-arrow end, you must be able to do the same. The set system allows for limited opportunities for catching up an error, but the fact remains that international archery competitions are brutal. Brutal on the nerves, brutal on the psyche. Your odds of making the final table are tiny. Poker fields. Over the PA, the results of matches are announced, the fallen are a who’s-who of big names. The world champions. The ones who get featured in the programme. (And Eliska, unfortunately, hammered by a German archer in the 1/16). In barely more than ten minutes, all that work is over.

Tatiana Segina. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

Aida Roman using 'video assist'. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

Aida Roman and her coach watch each end back on video immediately after she finishes shooting it. She ends up beating her former coach, Song I Woo, who is one of the few archers on the line who looks like they are enjoying themselves.

Thomas Faucheron. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

I watch the quarter-final between Brady Ellison and Thomas Faucheron of France from a prime seat, a slow, ferocious battle. Brady is the huge star here. He has an immense presence on the line, slow, immensely relaxed. This Olympic medallist self-describes on social media as ‘a country boy who just likes to shoot his bow’. He spends most of the time when not shooting besieged by autograph-hunters.

Brady Ellison. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

Brady’s shots seem so strong, so still, so relaxed, that I wonder how he can be beaten. Faucheron holds and holds and holds (usually a road to disaster) yet somehow still manages to pull out the tens. It comes down to a one-arrow shootoff. If the preceding competitive segments were brutal, this is an even nastier weapon. Faucheron wins it, by millimetres. Brady sighs just a little and adjusts his cap, then congratulates him. Next day will be painless.

SUNDAY 26th JANUARY

Chris Wells is the communications director for the EAF. Why Telford, Chris? “Because we’ve used the area before, we saw real potential in the venue, there’s good transport links, hotels on site, plus we got excellent feedback from the archers who’ve been here before (the Back to Back tournament).” All excellent reasons. But unfortunately, it’s still Telford.

Great God, this is an awful place. One of the more famous 1960s new towns, it was created by municipal parthenogenesis, when someone decided to legitimise the existence of a bunch of Shropshire towns and villages by birthing a shopping centre in the middle and uniting them all in joyful retail. A few miles to the south is the bucolic Ironbridge, cradle of the Industrial Revolution and a UNESCO World Heritage Site. But here is just the urtext inflorescence of Crap Britain, a vaporous hell of Wetherspoons and Costa, an ring-road Erewhon, a post-war concrete conurban fantasy guiding all to worship at the crumbling temple complex in the middle – which now has an Asda. Deserted on a Saturday night at 9pm, you can’t get from the “town centre” to the International Centre on the pavement – they’ve ripped it out and haven’t put anything down. You have to struggle through the muddy verges or take your chances on the A-road. Everyone in local hotels is turning up with muddy shoes, including me. Telford: the town that makes Slough look like Florence. Gertrude Stein said of Oakland, California, that: “The trouble with Oakland is that when you get there, there isn’t any there there.” When you get to Telford, there wasn’t anything there in the first place, but someone replaced it with f**k all anyway. Perhaps if you hurtle round the ring road fast enough you can achieve escape velocity from this Travelodge of a city.

Steve Anderson on the Hoyt stand at the 2014 European Archery Festival. © 2014 The Infinite Curve

The other half of this festival is devoted to trade, held in the hall next door. All the big archery manufacturers and many of the British retailers have taken a stall here. Most things are pretty familiar, so I decide to look for things which are new(ish).

Fivics risers at the 2014 European Archery Festival. © 2014 The Infinite Curve

New Fivics risers in pretty colours. Korean glamour.

Win & Win compound bows at the 2014 European Archery Festival. © 2014 The Infinite Curve

Win & Win have started producing compound bows, with the usual attention to simplicity and excellence coupled with joyfully peculiar translations.

Shibuya stabs at the 2014 European Archery Festival. © 2014 The Infinite Curve

Shibuya stabs in awesome bright colours.

Aurel Archery shafts at the 2014 European Archery Festival. © 2014 The Infinite Curve

I spend a good deal of time talking to René Velarde Rast (above) of Aurel Archery, based in Germany, a man manufacturing some beautiful quality carbon arrows. He is gradually working on a business model based on excellent quality, personal service, and strong relationships with pro shops. Whether he can seriously challenge the Easton machine perhaps depends on long-entrenched attitudes changing; the product is obviously excellent. He is focussing entirely on target archery; no broadheads and skull penetration figures here. I would love to get a bunch of his shafts and piles down to my club; we are currently working collectively on putting together tricky components like bowstrings ourselves, and arrows are one of the more difficult elements of archery to get right (in London this is not helped by a complete lack of archery shops). Seizing control of the means of production, and reducing the import duty on American arrows would help. Rene is also producing aluminium and, uniquely, wood laminate shafts for traditional archers (below). Good show.

Aurel Archery - wood laminate shafts at the 2014 European Archery Festival. © 2014 The Infinite Curve

I meet up with some of the other London archers and we rattle around the place, waiting for the denouement. I meet Patrick, the hazy genius behind Uukha. I watch a BBC ‘Road To Rio’ TV crew desperately try, with Songi Woo’s help, to pull some quotes out of the Sphinx-like Koreans. After the junior finals have been completed, the main hall is closed off and turned round. We have been promised a special show for the big finale. Lights. Smoke. A show producer from Vegas has been pulled in. Broadcast engineers. The compound archers ‘headline’ this show above the recurvers, in a reversal of the usual order of events. I ask why. The focus is apparently being put on ‘on-the-spot-accuracy’, with tension and cameras and the like, and the inherently more accurate bow is taking centre stage – it should be noted that the main sponsors are also quite compound-oriented, too. They were hoping for more national BBC coverage, but it’s a difficult sell without some Brits in the final.

Finals warm-up at the 2014 European Archery Festival. © 2014 The Infinite Curve

The show is indeed a show, designed for the room more than the TV. Aida Roman is first up in the bronze medal match, and she’s amazing. There’s a steely look to her shooting. A more ruthless competitor. If I’ve watched the Olympic individual climax a thousand times… There is no mistake here. She wins looking like a rock star. (If you are really bored, you can watch the feed and see me scurry out to take the picture below.)

Aida Roman: rock star. Finals 2014 European Archery Festival. © 2014 The Infinite Curve

After that, the Korean women put on a masterclass in form for the final, which goes to two shoot-offs. It’s not so much that they look effortless; it’s more that the technique is so ingrained that it looks more natural. It’s learned, like everyone else. It’s just better. The scores, as I check them later, would easily challenge the recurve men. Perhaps the missing media link is just that; remove men’s and women’s classes: totally open competition. I wonder if that’s an idea whose time has come.

Team LH, finals of the 2014 European Archery Festival. © 2014 The Infinite Curve

Kim Yu Mi at the 2014 European Archery Festival. © 2014 The Infinite Curve

Levi Morgan v Paul Tedford at the 2014 European Archery Festival. © 2014 The Infinite Curve

TRU Ball sign at the 2014 European Archery Festival. © 2014 The Infinite Curve

All-American chisel-jawed superman Levi Morgan takes the bronze in men’s compound, and when asked how, says he ‘prayed real hard’. It’s about this time I notice the slogan in very small letters underneath the headline sponsor’s logo plastered everywhere. The joys of international archery; the frankly strange cultural clashes, the variety of people and stories united in a common goal. The festival has worked. The big show has come off. It wasn’t perfect, and there’s a way to go, but everything appears to be going in exactly the right direction. It was an event. Where does it go from here?

Erika Jones at the 2014 European Archery Festival. © 2014 The Infinite Curve

Special thanks to Chris Wells. Was great to meet @StratfordArcher, @archeryashe, @martin_evans and the like. Cheers.

Stay tuned for an extensive interview with Patrick Huston, hope to bring you that tomorrow.

John.

Particularly interesting interview with Larry Godfrey from a local Bristolian website. Bold mine.

How did you manage to work and train in the lead up to the Olympics?

“After the Beijing Olympics I came back to work full-time and was then granted part-time status for three years. This meant I worked 20 hrs a week with flexible hours which allowed me to attend training and competitions. This is great support to get from your employer.”

What is it like training and holding down a job?

“This was my third Olympics so I am used to the working/training/competing cycle. I am back working full-time again now so today, for example, I will work until 4pm and then train at the archery club.”

Any similarities between archery & your day job?

“Definitely with the set up and tuning of my equipment I don’t settle for any small margins – I want perfection. I have suggested improvements that other archers have made to the set up and tuning of their equipment and they have instantly shot better. I work to margins of 1,000ths of inches in work so to me it comes naturally to apply this mindset to my archery.

“I strive for perfection in the way I shoot which is what I try to do in my day job – constantly trying to improve. We never settle down and just do work here which is how I am when I stand up to shoot arrows I am always looking for that next enhancement and how to improve on my last shot. So I think it is very similar and my work compliments my archery and my archery compliments my work.”

What support did you get from work colleagues in the run up to and during the Olympics?

“I’ve worked with the same great bunch of people for a long time. They’ve been with me through the three games now so there is a lot of banter but they do support me in my archery and with the job when I am away training or at competitions.

“I also received an email from our CEO John Rishton wishing me luck which was nice and at previous Games I received similar support from Sir John Rose. It’s great to know that people within the company are backing you and wishing you well.”

Did you receive support via Facebook/Twitter?

“I turned it all off. There was a lot of discussion about using social media before and during the Olympics. A few athletes have come out and blamed Facebook/Twitter for costing them their medals as they became obsessed and couldn’t ignore hurtful comments but I’m glad I made the decision to switch it off until after my games were finished. Afterwards I saw all the comments from friends and family and people I don’t even know who said that I inspired them to take up archery or to pick up their bow again or to commit to training. This included lots of children who are very excited about archery which is great for the future of the sport.”

What was it like competing in a ‘home’ Games?

“The home crowd made it the best arena I have ever shot in – everyone was firmly behind me. There were some surreal moments – walking out from the practice range to get to my match I had a line of troops either side all clapping me which was a fantastic experience. At my third match there was a group in the crowd all wearing masks of my face and I don’t know who they were or where they got the masks from but it was fun to see. I would have liked to have gone through a couple of more rounds just for the benefit of the crowd who were really enjoying the events.

“A lot of the Olympic helpers were friends and fellow archers from around the country. Being surrounded by familiar, friendly faces kept it low key, less hyped up and it being my third Olympics I had more of an idea what to expect. I felt fairly relaxed – the only nerves I had were just a bit of apprehension which you get before competing at any event.”

You were knocked out of the last 16 by one shot at the target – was that difficult to take?

“I went out in the last 16 and looking at the scores I finished 9th. I’ve done all the research and looked at the stats throughout the competition for myself and the four finalists and I was shooting better than the bronze and silver medallists – in fact I was shooting at the same level as the gold medallist. The way the competition is set up and the brutal single arrow decision meant I went out when I did but I was shooting at medal level. I’ve gone over and over all the data and I’ve put it down to bad luck.

“I was planning to pull out a Personal Best when it mattered most and I achieved just that I was confident and I knew I was good enough to win a medal – it just didn’t work within the setup of the competition. To be ranked 4th highest in the world behind the three Korean archers was a great achievement but unfortunately they don’t give out any medals for that.

“My Olympic experiences to date have been ones of bad luck I think. I came 4th in Athens when one arrow was blown by the wind in the semi-finals, otherwise that would have been a medal. I shot well in Beijing but my opponent in the 1st round shot fantastically and went on to win a bronze medal. In London I was shooting well but was unlucky on that last arrow. My opponent had a bunch of line calls which were in, I had a load that were deemed out and then on the last arrow I was hanging a little bit to the right so I aimed a little bit more to the left to give the arrow a chance to get in but still got buffeted by the wind. I looked at my opponent who adjusted and went right and he got a 10.

“Sport comes down to these fine margins. My shot could easily have hit the ten ring – and his could easily have hit the nine ring. That target is 70 metres away and the ten ring is the size of a grapefruit. I did everything I could possibly have done. But of course I’m disappointed I didn’t get a medal.”

It’s hard not to agree with his assessment that he was just unlucky in London. The wind whipped away a lot of people’s hopes. There is, of course, a random element to almost every sport, but few seem quite as capricious as the damnable wind; the djinn ready to strike and destroy a lifetime’s ambitions.

I particularly liked the thing about turning off Facebook and Twitter, something I do from time to time, and some people consider to be an excellent, even essential thing to do. Larry’s attitude towards his Olympic experiences is the life lesson that needs to be shown rather than taught – you do all you can, you give your best, and when you get knocked back you try again. The best you can give is enough. The process is the reward. His attitudes towards life and sport should be broadcast more widely than an interview in the local paper.

Of course, Larry failing to make the last 8 sealed the perception that the Team GB archers had failed, particularly after the avalanche of British gold immediately following conclusion of the archery. The success of the Paralympic squad added weight to both sides of the balance sheet. All that money (the biggest percentage rise in funding for any Team GB Olympic sport after Beijing) and home advantage, and not even a sniff of a medal.

I’m not criticising the individual perfomances – and Amy Oliver particularly punched above her weight – but there was definitely a sense of underperformance which no talk of wind and luck seemed to abate. No one was really expecting any of them to beat the Koreans, but if his arrow had landed in the ten, and he had gone deeper – who knows. Even a last eight finish would have gone some way towards redemption. The fine margins he talks about apply to the governing body and the Performance Unit too. Funding. Money. That single X10 arrow landing a couple of inches away from its intended destination may cause changes that will ripple down UK archery for the next Olympic cycle and beyond.

The Infinite Curve

the blog about archery

Category Archives: regular

2014 European Archery Festival – photo diary

27 January, 2014

“Facebook / Twitter? I turned it all off. “

10 September, 2012