Category Archives: recurve

Olympic archery pictograms through the ages

5 February, 2014

Pictograms have been a part of Olympic design since they were first formally introduced at Tokyo ’64 – although they were employed by the IOC before that and have been a part of human communication since human beings have existed.

The stylised figures are designed to communicate information to all languages and cultures simply and unambiguously. They have to work at all sizes and in negative. In the connected 21st century they may be less vital to worldwide Olympic communication, but they are still a cornerstone of Olympic design, and often as a specific cultural expression too.

Here’s the Winter set for Sochi, just in case you don’t know what I’m talking about:

sochi_pictograms_01

The Sochi set is based on the pictograms for the Moscow 1980 Summer Games. Come with me, and let’s have a look what designers worldwide for the Summer Games have come up with for the world’s oldest sport. 


TOKYO 1964 

japao

The first systematically designed set of pictograms for both sports and services was created for the Tokyo Games in 1964 by Masasa Katzumie and Yoshiro Yamashita, although there wasn’t an archery competition that year. This guy is a bit heavy-set for an archer, kind of Oh shaped, but no athlete comes across as very elegant in this set. Full marks for a quiver though, the last design that would bother. Not sure what’s attached to his hand though.


MEXICO 1968

There wasn’t an archery competition this year; the ‘target face’ below is for the shooting competition. Shame, because Mexico ’68  remains my favourite overall Olympic design by some distance.

mexico1968



MUNICH 1972 and MONTREAL 1976

1200px-Archery_pictogram_black_(1972_Summer_Olympics_style)

The pictograms designed by Otl Aicher for the Munich games were re-used four years later, and the full set is considered a design classic, endlessly copied and hugely influential on all that came after. Best of all, the archery competition was reintroduced after a 52 year absence. Unlike all the other little guys, we have someone shooting from behind. The head shouldn’t be at that angle, and the legs are waaah, but hey. It gives the impression of full draw, of effort. Of movement.


MOSCOW 1980

bogenschiessen

Nikolai Belkow won the competition held amongst students at Moscow art colleges to design the full set. Big stance, and rear elbow at some sort of realistic angle. The alignment is strong and relaxed. The flatter, rectangular shapes used that year added dynamism. Damn, this one is good. Also gave rise to a frankly covetable pin:

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LOS ANGELES 1984

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Not much to write home about here. Does the job, I suppose. Designed by Keith Bright, this was the first Games where a specific design brief has been handed down along with the full set, which is worth a read:

  • Clear communication; pictograms, by themselves, should be recognizable by people of other nations.
  • Consistency; the pictograms should be identifiable as a set, through uniform treatment of scale, style and subject.
  • Legibility and practicality; they should be highly visible, easy to reproduce in any scale and in positive or negative form.
  • Flexibility; the pictograms should not be dependent upon a border and should work equally well in a positive or negative form.
  • Design distinction; the pictograms should avoid stylistic fads or a commercial appearance and should imply to a worldwide audience that Los Angeles has a sophisticated, creative culture.
  • Compatibility; they should be attractive when used with their Los Angeles Olympic design elements and typestyles.

Via 1stmuse.com, here is some detail on how designs like these evolve: “In creating the new pictograms, exploratory sketches examined the use of partial figures, realistic figure images and speed lines combined with the figures. It was concluded that partial figures and realistic figures were difficult to decipher and movement associated with the figures made them too busy and impaired legibility. A simple figure composed of 10 fundamental body parts worked well: a circle for the head, an oval for the torso and eight simple parts representing the arms and legs. This modular figure, when placed against a grid pattern, could be recreated in any desired position, effectively portraying any Olympic event.”

pictograms_picto1988_4


SEOUL 1988

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Full set here. Not much of an improvement on LA. I suppose the elbow is ‘better’. Once again, the designers used a standardised geometric pattern for the head, torso and limbs, with a slightly curious ’empty’ torso. This had excellent clarity and economy, especially in negative. But the retreads on 1972 were getting a bit tired. Luckily, four years later…


BARCELONA 1992

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For the Barcelona Games they brought back in pictogram hero Otl Aicher. He based his work on the great logo design of Josep. M. Trias and its representation of the human body in three parts, with a broad brush stroke. This thing moves. It’s like someone dancing while drawing a bow. Great job. Full set here.


ATLANTA 1996

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This archer is actually pretty good, poised firm, with his short bow and strong ‘open’ stance, but it’s a bit of a mixed year otherwise:

1996-Atlanta-Pictograms

The canoe kayak looks like a trouser press, the handball looks like basketball, the wrestling like pat-a-cake and the judo like one of those Rorschach inkblots. Must try harder!


SYDNEY 2000

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Again strongly based on the main Games logo, every single one of the full set of pictograms incorporates at least one boomerang. Was this really necessary? It obviously became a bit of a personal design challenge at points. Mr. Archer looks a bit heavy in the lower regions. Either that, or he’s wearing MC Hammer trousers. Full marks for the nods to an actual recurve bow, and the colour.


ATHENS 2004 

ATHENS_2004_PICTOGRAM_PMS_1

The Creative Repository states this: “The Athens… pictograms were inspired by three elements of ancient Greek civilization. The simplicity of the human form is inspired by the Cycladic figurines. The artistic expression of the pictogram derives from the black-figure vases, where solid black shapes represent the human body and a single line defines the detailing of the form.” I say Mr. Archer lacks a bit of energy. Meh. Full set here.


BEIJING 2008 

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The design team based the pictograms on an ancient Chinese script. Full set here. Immensely simple, joyful, and communicative. First class. This also marked the first year that a full set of pictograms was designed for the Paralympics, with similar grace and economy:

Archery Pictogram At Paralympic London 2012 Big


LONDON 2012

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The year the world turned purple. Well, we finally have an ‘Olympic’ recurve bow, with a sight (set to about the right place!) and a stabiliser. Terrible technique though, leaning back – either that or the perspective is a bit unclear. The riser does look a lot like a classic chunky Hoyt Gold Medalist or very similar:

riser_gm

…which suggests that the designers were looking at some very old pictures when they blocked it out.

I’m generally ambivalent about all the London 2012 design. The much-maligned logo grew on me a lot, although the font they used never did.  A full set of London 2012 pictograms and lots more stuff here. (If you haven’t yet read my reviews of the three archery sessions I attended, you could do that here, here and here.)


RIO 2016

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archery_0_0

Full set here. “The pictograms are set within pebble shapes, “which are a characteristic of Rio 2016’s visual language, support the designs and alter their shape according to the athletes’ different movements.” Righto. I’m guessing the designers were finally looking at some arrow-leaving-the-bow-shots when they conceptualised this, a product of the high-speed digital photography age. I do love the taekwondo one, more than the slightly un-dynamic archery designs:

taekwondo_1_0

TOKYO 2020

The Tokyo pictograms, created by a team led by Japanese designer Masaaki Hiromura, were finally unveiled on 12 March 2019, and the bare-bones archery one is looking strong .The draw with the anchor point ‘below’ the head just possibly might be giving a nod to kyudo, the traditional Japanese archery martial art.

The traditional feel extends to the simple arc shape of the bow, although a kyudo bow is asymmetrical. It looks more like a longbow. Actually, it looks most like a PVC pipe bow than anything else. (It should be noted, if you scroll back up, that only a tiny handful of designs have depicted a recurve bow). 

It communicates the sport well, although archery is lucky in that it has a single universal symbolic image to depict – several other Olympic sports, such as wrestling and modern pentathlon, struggle to be squeezed into a tiny square. 

This is the Paralympic pictogram:



The full set is below:

On first impressions, I don’t think Hiromura has delivered a classic set for the ages. It’s kind of a hybrid, taking the basic body part vector building blocks of Aicher et al (see above) and tries to impart in them a bit of grace and movement. There’s a focus on the athletes more than the sports these days, and a set like Mexico ’68 (still, in my opinion, the greatest complete piece of Olympic design ever) wouldn’t get through a committee.

The Tokyo set is also kind of a ‘greatest hits’ of Olympic pictograms. Many seem to nod back to previous sets, especially Atlanta ’96, which appears to have been the inspiration for several, including, perhaps, our square-on archer.

The taekwondo one seems to be borrowed from Rio (scroll up). However, he has come up with a few originals. I really like several of them: baseball and table tennis especially. And full marks for a blank-slate attempt at skateboarding. But modern pentathlon and triathlon? They look like something you’d wipe off a kitchen surface. 

As a complete set, it is a little conservative. You feel it could show a little more personality, a little more of the host nation. And the design exercise can add a little colour and joie de vivre to the meet – this brilliant and fun Jelly Babies set from the last Youth Olympic Games proves it.

But after the debacle of the logo a couple of years back, it is clear that the LOCOG design committee in Japan are taking no chances. 


Pictograms are a major undertaking these days, particularly as each one now has to be approved by each sporting federation. The Tokyo ones apparently took two years from start to finish. As well as the individual sports, pictograms are produced for all sorts of ancillary Games services  – some more successfully than others. Designers in the internet age now come up with their own sets which they hope will go viral. You may enjoy this video by Steven Heller, too.

This post has been heavily reliant on work done by the Creative Repository, the works of 1stmuse.com here, Olympic-Museum.de, and many other helpful uploaders. Thanks very much!

INTERVIEW: PATRICK HUSTON

1 February, 2014

Patrick Huston, 18, won two gold medals at the World Youth Archery Championships in Wuxi, China in 2013. I caught up with him after the close of play in Telford last Sunday, and he was kind enough to give me an interview.

Patrick Huston. Qualification at the 2014 European Archery Festival. © 2014 The Infinite Curve

Patrick Huston. Qualification at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

So how do you feel it went this weekend? 

I was really pleased with how I got on. I had a terrible first half of the qualification at 283, things just didn’t settle in right and I just generally wasn’t happy, but then I found what I was doing wrong, set my shoulder right, relaxed my bow hand a bit, did really well in the second half at 294 to finish on 577, and ended up qualifying 14th.  I shot well in my first match (against Ivan Gonzalez), got to 5-3 I think it was.  Then my arrow fell off my rest which was a bit crap, but I got to a one-arrow shoot off and beat him on that.  Unfortunately, I then came up against Jean-Charles Valladont, who then shot a 90 against me. Hard to beat! In the end he won, so it’s not too bad losing to the man who won the whole thing.  It’s my first international competition competing with the seniors, so I was really pleased with how I got on.

You won the World Youth Championships.

I have a terrible pattern of doing fine in my first international of a specific type of archery and then very well in my second.  In the World Field Championship in 2012 I came eighth, and the Europeans I got team bronze and individual gold.  My first international target champs in Korea I got knocked out fairly early on, and the second one I came home with individual and mixed team gold.  I was trying to take the British indoors as my first international, because this thought did come into my head, but I thought “no, it’s my second, because I’ve done internationals before so this will be fine” but seemingly this is following the same pattern!  So the next big international indoor event I’ll do far better.

You say you made an adjustment in the second half of qualification this weekend.  What did you change?

I noticed that the aiming felt the same as it always did.  It was fairly still, fairly solid, everything felt fine there, but when I shot my bow would jerk across to one side or the other.  I found what I was doing was letting my front shoulder rise up, when I was setting my front shoulder at the start of the shot I was just sort of setting it there and then drawing back, rather than setting it down and into the socket.  Once I started to do that, it meant that the bones were supplying the force, taking the poundage from the bow and not the muscles, so when I shot it just stayed there rather than the muscles saying ‘there’s the force gone’  – they stayed relaxed and the force went down one straight line and didn’t affect it one way or the other.  Recently I have developed quite a lot of tension in my front hand, which I’m trying to work out of, but in a competition you sort of leave it and go with what’s happening at the moment.  But I decided that as well as my front arm twitching, I was making it worse by trying to correct it because my hand was this tight, so I let that relax. I was watching Rick van der Ven, and Sjef van den Berg when they were shooting, because they were only two targets down from me; and when they shot their bow it just came out of their hand, straight into the finger sling and rolled, whereas with mine things were happening that shouldn’t.  So I decided to really focus on keeping the pressure the same way it used to be, but just keeping the fingers and everything more relaxed, so the front shoulder’s right, it just pushes everything forward and the bow just flew out of my hand and left the hand nice and relaxed.  Once I started doing that I think I shot 120 in a row, so it worked.

How do you control nerves?

In some respects I do it by taking the piss out of it. I didn’t do it so much here, but in China, because it was the world championships, you had all the teams screaming at you, screaming at the other teams, encouraging them.  When we were standing in the line waiting to go up, a couple of times Becky (Martin) and the men’s team turned round to me and were like “what are you doing?” because everyone was just like “go France, allez la France!” and I was just going “agh, woof woof!”.  I was just taking the piss out of them making all that noise, and it adds that slight amount of humour that it takes the intimidation out of it.  Also, you will see in the Youtube videos of me shooting that there’s music playing in the background and I’m just dancing along with it.  I just don’t think about it. In the actual finals themselves, I was really pleased with how little pressure I actually felt.  When I was on the practice field before I went in, I was still thinking about each shot, still thinking about how all the muscles were moving.  Once I got into the finals, firstly it was really interesting to see that I’ve watched archery TV so much that I know what a finals venue looks like, so it’s really interesting to be in one looking out.  Once I got there I was just absorbing the moment and once I drew up there was no thinking about backs rotating or anything like that.  It just went off and they went in the middle.

Isn’t that exactly what you want?  When the unconscious controls the muscles… 

Oh yes. I deal with nerves just by – you can try and not think about it, this isn’t important or whatever, but that doesn’t work, because the fact that you’re having to think about that means that you’re registering the fact that it’s important.  If you just ignore it and then shoot the way you normally would, then that’s just what I do.

So what drives you to do archery? I mean, you’re in Telford, it’s raining…

Well, when I started off shooting at any sort of competitive level, I was just starting off, I was just starting off my schooling.  There was a guy in the school who I think was on the Ireland team at this point, but he was at most of the indoor competitions that I would go, and my air was, the first time I’d won my trophy, he had won it the three years before me, and my aim was that I would do better than him.  I think I have.

I think you probably have, yes!

Since then I’ve just moved up the range and levels of competition: Northern Irish champion, Irish champion, British champion.  I always want that next level above. I’ve always said that when I’ve won the Olympics twice, I’ll go to compound.

I understand you can make some money in compound…

There’s more funding available for recurve at the lower levels of the scale,  but if you get to the top level there’s more money in compound.  I just like winning. I don’t like not winning and I’m incredibly competitive in anything I do.  I’m a perfectionist, and if I like doing something I will do it right.

What else do you do?  Is there something else that you do that you like to perfect outside of archery?

The closest to that would be ice skating.  When I was in my early teenage years I would have gone ice skating every Friday or Saturday night.  I remember when I started off there were three or four guys there who were incredible.  They played ice hockey, they were able to do all these tricks on the ice; they were able to jump feet into the air, spray ice all over the place…  After two and a half years of ice skating however many times a week, I became that good and I was just as good as them.  So I went and joined an ice hockey team, the junior Belfast Giants, and I was good at the ice skating part of all that, handling the puck; it was just the team element did not work at all, which I think is why I do really well in archery, because I don’t have to rely on anyone else and it’s just me. That’s why I like it: if I do everything right, it’s in the middle.  Same with the ice skating.  It’s a singular drive. so I took the time and the energy, put the effort in, that works out.

It’s your responsibility. 

That’s why team sports have never really worked out with me.

I just saw on Facebook, Tim Gillingham (US pro compound archer) said he took up archery because team sports were “too much politics”. 

That sounds quite accurate.

What’s your greatest strength in the sport?  What’s the strongest part of your game?

There’s probably two sides to that.  If we went by ‘strong’ in one respect I would say I am very physically strong.  I just turned eighteen three weeks ago and have a 50lb bow, and there’s not many people in my age group that shoot a 50lb recurve.  It does give me that edge. I’m shooting beside people, I have better sight marks, and my arrows are travelling faster, and that’s generally all very handy.  But on top of that I probably just have a very good mental game.  When I get into head-to-heads I don’t let other people get to me. Some other people are good at this as well. When I was shooting against Valladont; it was as if I wasn’t there.  We went up to score and he was just like “yeah, that’s fine” and we went up there and there was no interaction.  It’s not that there was no interaction in that he was blanking me; it was just you could tell he was plain, straightforward about it and that’s what he does. I have the same sort of thing.  Unfortunately, I can’t really compete with a 90, but I have a really good mental game, which is why I’ve won two world gold medals, European golds.

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You think so?  You think it’s more the mental side of it than anything else?

The thing I do is, under pressure, I actually perform better.  The higher the level of competition, the better I perform. I don’t find I do well in practice, because I don’t have that push.  Even if I go to a club competition where there’s no-one there that’s really going to be challenging me, the fact that we’re scoring, even in practice, if I start scoring I will shoot better than if I’m just putting them into a target. So if I go to a competition I shoot better; if I go to a competition where there’s a friend of mine who might or not beat me I’ll shoot even better; but then when I go to the big competitions the level improves.

 When you’re up against people who also have a strong game?

Yeah. I think that’s a good mental attitude to have.  An awful lot of people shoot international level scores in practice and then they get to the competition and they can’t do it.  In practice, a lot of people would beat me.  In a competition, those people would struggle.

You talked about how Valladont dealt with you in the head to head. Was he… disdainful, or something like that? 

Not quite, he just sort of kept in his shell and came out when we were scoring the arrows.  I kind of respected him for this.  I had a line cutter; it was cutting where the line would have been but it had wrinkled the paper so it was yellow, and if he had had that I would have called a judge over, but he just came over and went “yeah, it’s in” and there was not a second’s hesitation.  You can tell that’s years of experience: he knows it should have been in; the paper had just moved.  Some people get all jittery and tense, but he was just getting on with the average day’s shooting.

There’s a certain level that I’ve seen in some people, like the Koreans, where there’s a confidence: you know how good the performance is and you know how you can deliver that, and it’s only when you come up against that sort of extremely hard competition that things change. 

With any top-level archer, they can all put them in the middle.  It’s: can you put them in the middle when it counts?  It comes down to your mental game and that’s what’s really important.  Are you able to go there and up there and do it when it matters? You’re on a shoot-off and he’s put in a ten, can you get a better ten?

Where did you get that mental game from?  Is that something you developed yourself or did you have someone who coached you?

I’ve never had a coach in the sense that other people have.  I’ve got a coach that started me off who I still see twice a week at school.  She’s not really a high level coach.  She can do a beginner’s course, she’s a lovely woman and will say “Yay, Patrick, you did really well”, encouraging me, point out anything I’m doing particularly wrong, but other people I’ve heard of, they see a coach twice a week at their club, they’re helping them every single day, working with them, helping them with that competition. There are people in the Northern Ireland squad, like Barry Wilson and Maggie Squires, who have done a lot to help me when I was just starting off, setting up the basics of my technique.  But since then, I started going to archery competitions, I went on my own, my parents dropped me off and I was there, didn’t know anyone, but then I would start shooting and the first few ones I got beaten and I thought “no, I don’t like coming second” so I started winning, started doing well and talking to other people.  I think that pretty much my progression up the archery scale is all down to myself.  I think I’ve just sort of learnt it, not to allow myself to do badly.  The downside is that I don’t think I’ll ever be, say I drop out in fifteen years and come back when I have kids, I’ll never be a recreational archer.  People who just go out for a field shoot and dander around the forest with their mates for a bit of craic and a shoot, I’ll never be able to do that.  Fair enough, I might not always be the level I am now, but I’ll never be able to do it for the fun of it.  There will always have to be that performance aspect.

That makes a lot of sense.  So what’s the next big thing?

Hopefully I will get selected so I will be off to the senior Europeans in June.

Where’s that again?

It’s in Armenia in July.  Unfortunately, I can’t make the junior Europeans. I’ll definitely be at the World Archery Field Championships in Zagreb this year, I’ll have to get the gold medal at that. I got the European. This is the juniors. Last year I was a cadet. Cadets is under eighteen, so if you’re under seventeen at the start of the year, you can be seventeen for most of the year.  I was technically a cadet, but in the field champs there’s only junior and that’s under twenty-one, so I was shooting in the juniors against people, most of them being twenty, and I was only seventeen and I beat them all.  Most of them, there’s nobody that I can foresee being that much ahead of me in the field and beat me. The scores that I put in in the finals, the whole way through the European field archery championships, apart from one elimination round where I had a miss I would have won the seniors there.  Even in the last four targets, you shoot four targets and I think the highest gents score was 59 and I had 60.  So fingers crossed for the world fields!

Have you any ideas that would raise the profile of archery?

What we really need is to get it onto TV.  I know Eurosport have adapted.  I think the World Championships were on Eurosport. So we really just need to get it onto TV, like darts. People really love watching it on the Olympics.  The reason beginners’ courses are booked up across the country and have been for a year and a half is that so many people saw it during the Olympics.  Every single match was televised.  When they’re covering the World Cup and stuff, it’s the same format.  They do, they show it really well.  If you watch a target competition, I have to say it’s not the most interesting, but watching head to heads, and particularly the way World Archery does it with the voiceover and commentary, it is really interesting.  If we get that onto TV regularly, in the same way that darts or snooker, why would you want to watch darts or snooker?  What’s so interesting about darts or snooker that isn’t in archery?

The thing about darts is that it was always a pub sport until they invented the split screen, so you can see the player throwing and hitting the board at the same time, and that turns it into a TV sport.  I’ve often thought about whether that would work with archery, but unfortunately it would make it look like darts because it’s such a familiar, iconic TV image. 

I just think that we need to work to get the BBC, when there’s a World Cup, to put half an hour of matches on, you know the way World Archery does a round-up of the matches, put it onto the BBC, put it on Channel 4, whatever, for half an hour around every World Cup.  Half an hour, the TV companies can afford that.  It would be really interesting to see how the ratings go.

As I understand, there’s always a bump of interest in archery at the Olympics. It’s the same as with the Winter Olympics, I know that curling always get a bump – Britain won a gold medal in 2000 in the curling.  Every time they show the curling there’s a huge bump of interest in it, because it’s interesting, unique, something you only see every four years.  Archery had a huge media bump in 2012, of course.

The Hunger Games, Brave, The Avengers. We’ve done well recently! I founded my own club in 2011 and the first beginners’ course we had five or six people, two of whom joined the club.  The second beginners’ course we had ten, eight of whom joined the club.  We’ve just had another and we got another five, and we’ve another starting in three weeks with twelve booked onto it.  This was a club that started off with five people three years ago.

Are you going to Nimes? 

Unfortunately not.  I’ve already been at the European field, missed a few days of school, went to the World Archery Championships, missed a few days of school, was training with GB team before Christmas, missed school, then we were in Qatar and I missed more school.  My parents really don’t like me missing this much school!  I do have the scores, if I put them in I could have gone, but it is a shame I’m not able to go.  I’ll be there in two years time, and I’ll be at the Europeans next year, because I’m having a gap year.  Possibly two once the Olympics become a realistic possibility.

What are you going to study at university?

Hopefully economics.  I know it’s terribly politically incorrect, but with a view to being an investment banker.  Only for the fact that I’ll make a lot of money, retire at thirty-five and run a loss-making archery company!  That means everybody else gets cheap equipment…

That makes sense! I was talking to a guy today at Aurel Archery, this German guy who makes arrows who is a very interesting guy with an amazing product.  

It is really nice to see how the archery market is expanding so dramatically.  I started competing seriously about three years ago, and you’d only ever see three or four brands.  Pick stabilisers, you have Dunker, Cartel and Easton.  Realistically that was all you’d see.  Occasionally you’d see some weird thing.  I know there was Carbofast from Ireland…

I’m sure I saw someone in a Carbofast shirt, actually…

It’s really good to see the archery market opening up so dramatically, particularly against market dominators such as Hoyt and Easton, who pretty much have everything skewed in their favour.  Not that I’m against them at all.  I’m not saying that they shouldn’t be ‘in charge’; they make very good products, but it’s nice to see other products on the market, and hopefully with a wider choice people will be able to find products that do equally well or better, so it just puts that competitive edge in that keeps them on their toes and everyone at the top of their game.  If you just have one company dominating, and there’s no way to get past them, they can get slack.

Compound archery is ‘headlining’ this particular show, whereas all the other World Cup events the recurve is the headline…

Archery GB’s main focus is on recurve, and I’m sure it is the same with other national governing bodies in other countries, but their main focus is archery, whereas in the general populace compound might be seen as slightly more important, particularly in America where bow hunting is such a massive sport that it does take over so much.  Then you’ve got NFAA, IBO, ASA, the regions, and there are so many competitions that are so important for compound.  Recurve is really seen as the Olympic format.

Thanks Patrick! Good luck this year!

Extra thanks to Mlle. Infinite Curve who typed this up about twenty times faster than I ever could. 

2014 European Archery Festival – photo diary

27 January, 2014

 

2014 European Archery Festival. © 2014 The Infinite Curve

2014 European Archery Festival. © 2014 The Infinite Curve

 

SATURDAY 25th JANUARY

Telford. Christ.

This, the largest indoor archery event ever held in the UK is being held in Telford. Of all places. The four stages of the archery indoor World Cup are held (in order) in Shanghai, Marrakech, Telford, and Las Vegas. One of these things is not like the other, as even a slightly bemused BBC Midlands crew points out on the Friday night. It reminds me of the “London. Paris. Peckham.” painted on the side of DelBoy’s van. Telford International Centre is a huge shed dumped beside an A-road and used for all the events that matter; Ultimate Dubs, Scale Model World, and the snooker in November. Now it’s being used for something important; and over 900 archers from 40 countries have turned out.

Qualifying. 2014 European Archery Festival. © 2014 The Infinite Curve

Qualifying. 2014 European Archery Festival. © 2014 The Infinite Curve

 

By the time I reach the venue, we are already in the fourth qualification stage of four: sixty arrows, recurve and compound, men and women, recurve and junior – although a couple of brave souls are shooting barebow, and one guy is shooting a horsebow with wooden arrows. Whatta man. The top 32 in each category go through to the eliminations. This tournament is completely open; you are free to turn up and make a score that challenges the greats, if you can. You can almost smell the intense concentration required, as well as the dejection from less vintage performances.

Qualifying at the 2014 European Archery Festival. © 2014 The Infinite Curve

Qualifying at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Qualification 'D'. 2014 European Archery Festival. © 2014 The Infinite Curve

Qualification ‘D’. 2014 European Archery Festival. © 2014 The Infinite Curve

 

In the bleak midwinter. Qualifying at the 2014 European Archery Festival. © 2014 The Infinite Curve

In the bleak midwinter. Qualifying at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

2014 European Archery Festival. © 2014 The Infinite Curve

2014 European Archery Festival. © 2014 The Infinite Curve

 

Bryony Pitman. 2014 European Archery Festival. © 2014 The Infinite Curve

Bryony Pitman. 2014 European Archery Festival. © 2014 The Infinite Curve

 

Alan Wills warming up. Qualification at the 2014 European Archery Festival. © 2014 The Infinite Curve

Alan Wills warming up. Qualification at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

I’ve been trying, but I can’t think of another sport, anywhere, where you can just pitch up as a rank amateur and get to perform literally next to the world’s number one, an Olympic medallist, or a world record holder. All these things happened in Telford. You can run in the same city marathon as Haile Gebrselassie, but they don’t let you start next to him. Many other sports have open competitions, but the top people usually get a bye through. Here, you get to play with the best in the world, straight out. Disabled archers on the same field as everyone else. There’s something magical there. I wander the forests of carbon with my camera, finding joy and disappointment in equal measure.

Becky Martin. 2014 European Archery Festival. © 2014 The Infinite Curve

Becky Martin. 2014 European Archery Festival. © 2014 The Infinite Curve

 

Qualification 'D'. 2014 European Archery Festival. © 2014 The Infinite Curve

Qualification ‘D’. 2014 European Archery Festival. © 2014 The Infinite Curve

 

Crystal Gauvin at the 2014 European Archery Festival. © 2014 The Infinite Curve

Crystal Gauvin at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Vanessa Elzinga and Jamie Van Natta. 2014 European Archery Festival. © 2014 The Infinite Curve

Vanessa Elzinga and Jamie Van Natta. 2014 European Archery Festival. © 2014 The Infinite Curve

 

Rick & Stef. Qualification 'D' at the 2014 European Archery Festival. © 2014 The Infinite Curve

Rick & Stef. Qualification ‘D’ at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Reo Wilde & Adam Ravenscroft at the 2014 European Archery Festival. © 2014 The Infinite Curve

Reo Wilde & Adam Ravenscroft at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

 Qualification 'D' at the 2014 European Archery Festival. © 2014 The Infinite Curve

Qualification ‘D’ at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Eliska.  Qualification 'D' at the 2014 European Archery Festival. © 2014 The Infinite Curve

Eliska. Qualification ‘D’ at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Eliska Starostova, a friend now on the Czech national team is sponsored as an archer by her ‘other’ club Fujian White Crane Kung-Fu. Despite the heroic and (usually) positive sporting associations the general public have with archery, many traditions think of it more as a martial art; a discipline. Kung-fu and archery. It’s a good match-up. Self-discipline. Inner strength. Eliska beat one Naomi Folkard to win an indoor tournament last year. I watch the screens nervously as qualification wraps up while her name hovers around the cut line. Frowning with concentration, she ends up qualifying 26th in women’s recurve. Safety. The work has paid off. The gilded names go on, the vast amateur field get another shot at a second-chance tournament at some ungodly hour the next morning.

Chang Hye-Jin. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

Chang Hye-Jin. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

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In the women’s recurve, a juggernaut arrived last night. Team LH from Korea; five archers, in identical uniforms at all times, no English, terrifyingly good. LH are full-time professionals, sponsored by the state housing company. They took five of the top six spots in qualification, out of ninety-eight top women archers from all over the world. It’s a bit like Real Madrid suddenly pitching up in League 2. The utter dominance of Korea in recurve archery, reinforced in spades over the last couple of years, has become a cornerstone of the international sport. As someone says to me, “I’m just glad they didn’t enter the men’s team. Or their compounders. Because we’d all have been f****ed.”

Sjef Van Den Berg. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

Sjef Van Den Berg. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

As the head to head competition starts, the focus narrows, and the thousand-yard-stares come out. With no wind or rain and the short distance involved, the indoor scores at this level are so high, that the winner or loser can be decided on basically “who blinks first.” Who is the first to shoot a nine rather than a ten. If your opponent can and does score thirty for a three-arrow end, you must be able to do the same. The set system allows for limited opportunities for catching up an error, but the fact remains that international archery competitions are brutal. Brutal on the nerves, brutal on the psyche. Your odds of making the final table are tiny. Poker fields. Over the PA, the results of matches are announced, the fallen are a who’s-who of big names. The world champions. The ones who get featured in the programme. (And Eliska, unfortunately, hammered by a German archer in the 1/16). In barely more than ten minutes, all that work is over.

Tatiana Segina. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

Tatiana Segina. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Aida Roman using 'video assist'.  Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

Aida Roman using ‘video assist’. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Aida Roman and her coach watch each end back on video immediately after she finishes shooting it. She ends up beating her former coach, Song I Woo, who is one of the few archers on the line who looks like they are enjoying themselves.

Songi Woo. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

Thomas Faucheron. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

Thomas Faucheron. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

I watch the quarter-final between Brady Ellison and Thomas Faucheron of France from a prime seat, a slow, ferocious battle. Brady is the huge star here. He has an immense presence on the line, slow, immensely relaxed. This Olympic medallist self-describes on social media as ‘a country boy who just likes to shoot his bow’. He spends most of the time when not shooting besieged by autograph-hunters.

Brady Ellison. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

Brady Ellison. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

Brady Ellison. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

Brady Ellison. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Brady Ellison. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

Brady Ellison. Recurve shootdown at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Brady’s shots seem so strong, so still, so relaxed, that I wonder how he can be beaten. Faucheron holds and holds and holds (usually a road to disaster) yet somehow still manages to pull out the tens. It comes down to a one-arrow shootoff. If the preceding competitive segments were brutal, this is an even nastier weapon. Faucheron wins it, by millimetres. Brady sighs just a little and adjusts his cap, then congratulates him. Next day will be painless.

SUNDAY 26th JANUARY

Chris Wells is the communications director for the EAF. Why Telford, Chris? “Because we’ve used the area before, we saw real potential in the venue, there’s good transport links, hotels on site, plus we got excellent feedback from the archers who’ve been here before (the Back to Back tournament).” All excellent reasons. But unfortunately, it’s still Telford.

Great God, this is an awful place. One of the more famous 1960s new towns, it was created by municipal parthenogenesis, when someone decided to legitimise the existence of a bunch of Shropshire towns and villages by birthing a shopping centre in the middle and uniting them all in joyful retail. A few miles to the south is the bucolic Ironbridge, cradle of the Industrial Revolution and a UNESCO World Heritage Site. But here is just the urtext inflorescence of Crap Britain, a vaporous hell of Wetherspoons and Costa, an ring-road Erewhon, a post-war concrete conurban fantasy guiding all to worship at the crumbling temple complex in the middle – which now has an Asda. Deserted on a Saturday night at 9pm, you can’t get from the “town centre” to the International Centre on the pavement – they’ve ripped it out and haven’t put anything down. You have to struggle through the muddy verges or take your chances on the A-road. Everyone in local hotels is turning up with muddy shoes, including me. Telford: the town that makes Slough look like Florence. Gertrude Stein said of Oakland, California, that: “The trouble with Oakland is that when you get there, there isn’t any there there.” When you get to Telford, there wasn’t anything there in the first place, but someone replaced it with f**k all anyway. Perhaps if you hurtle round the ring road fast enough you can achieve escape velocity from this Travelodge of a city.

Steve Anderson on the Hoyt stand at the 2014 European Archery Festival. © 2014 The Infinite Curve

Steve Anderson on the Hoyt stand at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Steve Anderson on the Hoyt stand at the 2014 European Archery Festival. © 2014 The Infinite Curve

Steve Anderson on the Hoyt stand at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

The other half of this festival is devoted to trade, held in the hall next door. All the big archery manufacturers and many of the British retailers have taken a stall here. Most things are pretty familiar, so I decide to look for things which are new(ish).

Fivics risers at the 2014 European Archery Festival. © 2014 The Infinite Curve

Fivics risers at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

New Fivics risers in pretty colours. Korean glamour.

Win & Win compound bows at the 2014 European Archery Festival. © 2014 The Infinite Curve

Win & Win compound bows at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Win & Win have started producing compound bows, with the usual attention to simplicity and excellence coupled with joyfully peculiar translations.

Shibuya stabs at the 2014 European Archery Festival. © 2014 The Infinite Curve

Shibuya stabs at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Shibuya stabs in awesome bright colours.

Aurel Archery shafts at the 2014 European Archery Festival. © 2014 The Infinite Curve

Aurel Archery shafts at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

I spend a good deal of time talking to René Velarde Rast (above) of Aurel Archery, based in Germany, a man manufacturing some beautiful quality carbon arrows. He is gradually working on a business model based on excellent quality, personal service, and strong relationships with pro shops. Whether he can seriously challenge the Easton machine perhaps depends on long-entrenched attitudes changing; the product is obviously excellent. He is focussing entirely on target archery; no broadheads and skull penetration figures here. I would love to get a bunch of his shafts and piles down to my club; we are currently working collectively on putting together tricky components like bowstrings ourselves, and arrows are one of the more difficult elements of archery to get right (in London this is not helped by a complete lack of archery shops). Seizing control of the means of production, and reducing the import duty on American arrows would help. Rene is also producing aluminium and, uniquely, wood laminate shafts for traditional archers (below). Good show.

Aurel Archery - wood laminate shafts at the 2014 European Archery Festival. © 2014 The Infinite Curve

Aurel Archery – wood laminate shafts at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

I meet up with some of the other London archers and we rattle around the place, waiting for the denouement. I meet Patrick, the hazy genius behind Uukha. I watch a BBC ‘Road To Rio’ TV crew desperately try, with Songi Woo’s help, to pull some quotes out of the Sphinx-like Koreans. After the junior finals have been completed, the main hall is closed off and turned round. We have been promised a special show for the big finale. Lights. Smoke. A show producer from Vegas has been pulled in. Broadcast engineers. The compound archers ‘headline’ this show above the recurvers, in a reversal of the usual order of events. I ask why. The focus is apparently being put on ‘on-the-spot-accuracy’, with tension and cameras and the like, and the inherently more accurate bow is taking centre stage – it should be noted that the main sponsors are also quite compound-oriented, too. They were hoping for more national BBC coverage, but it’s a difficult sell without some Brits in the final.

Finals warm-up at the 2014 European Archery Festival. © 2014 The Infinite Curve

Finals warm-up at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

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The show is indeed a show, designed for the room more than the TV. Aida Roman is first up in the bronze medal match, and she’s amazing. There’s a steely look to her shooting. A more ruthless competitor. If I’ve watched the Olympic individual climax a thousand times… There is no mistake here. She wins looking like a rock star. (If you are really bored, you can watch the feed and see me scurry out to take the picture below.)

Aida Roman: rock star. Finals 2014 European Archery Festival. © 2014 The Infinite Curve

Aida Roman: rock star. Finals 2014 European Archery Festival. © 2014 The Infinite Curve

 

After that, the Korean women put on a masterclass in form for the final, which goes to two shoot-offs. It’s not so much that they look effortless; it’s more that the technique is so ingrained that it looks more natural. It’s learned, like everyone else. It’s just better. The scores, as I check them later, would easily challenge the recurve men. Perhaps the missing media link is just that; remove men’s and women’s classes: totally open competition. I wonder if that’s an idea whose time has come.

Team LH, finals of the 2014 European Archery Festival. © 2014 The Infinite Curve

Team LH, finals of the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Kim Yu Mi at the 2014 European Archery Festival. © 2014 The Infinite Curve

Kim Yu Mi at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

Levi Morgan v Paul Tedford at the 2014 European Archery Festival. © 2014 The Infinite Curve

Levi Morgan v Paul Tedford at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

TRU Ball sign at the 2014 European Archery Festival. © 2014 The Infinite Curve

TRU Ball sign at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

All-American chisel-jawed superman Levi Morgan takes the bronze in men’s compound, and when asked how, says he ‘prayed real hard’. It’s about this time I notice the slogan in very small letters underneath the headline sponsor’s logo plastered everywhere. The joys of international archery; the frankly strange cultural clashes, the variety of people and stories united in a common goal. The festival has worked. The big show has come off. It wasn’t perfect, and there’s a way to go, but everything appears to be going in exactly the right direction. It was an event. Where does it go from here?

Erika Jones at the 2014 European Archery Festival. © 2014 The Infinite Curve

Erika Jones at the 2014 European Archery Festival. © 2014 The Infinite Curve

 

All pictures by me (except the one of Aida Roman post-release by Dean Alberga). All rights reserved. If you want to use them, ask me nicely. 

Special thanks to Chris Wells. Was great to meet @StratfordArcher, @archeryashe, @martin_evans and the like. Cheers. 

Stay tuned for an extensive interview with Patrick Huston, hope to bring you that tomorrow.  

John. 

korean archery secrets (slight return)

7 January, 2014

What what what?! Apparently Korean archery team-building exercises involve the podium-level squad hauling charcoal briquettes up a hill in some anonymous, not-particularly-salubrious part of town somewhere – and for charity, by the looks of things. In winter (temperature today around 3°C / 38°F). You see, that’s clearly what’s missing from a lot of elite sporting training programmes. Tedious, exhausting exercises where you get filthy and help other people. Wanna win? Go somewhere cold and depressing. I mean, it worked for this guy, right? 

(via Korea Archery Association)
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Interview: Carina Rosenvinge

19 September, 2013

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Yay! Danish international and recent World Cup bronze medallist Carina Rosenvinge was kind enough to answer my questions as she prepares for the World Championships in Belek in a couple of weeks time. You can find her personal website here and her excellent Twitter feed here

How’s it going?

Things have been stressed lately. On July 1st I started my education to become a sales assistant. It takes 2 years and it has me working 37 hours a week, which doesn’t always work well with archery. Fortunately the department store I work for has agreed to fewer working hours for a couple of weeks so that I had time to practice for Wroclaw and also for the World Championships next month in Turkey. I now work around 25 hours a week with a couple of days off, which allows me to practice more. I also recently moved into my own apartment. I used to live with my parents, so it’s been a lot of adjusting to new things on my end. Things are starting to calm down – but Christmas is just around the corner and that’s ALWAYS a busy time of year when you work in a store.

Tell us about Wroclaw.

Due to working a lot I didn’t feel well prepared for Wroclaw. I managed to find my way in to making good shots during practice and my individual eliminations and made really good shots and scores during my matches. I made it to 1/16 with a good match against Kumari, with 28-27-28-29-17 on my scoreboard. I was happy with that!  As for teams, we couldn’t have asked for a better test run before the World’s. Anne Marie, Maja and I shot teams way back in our cadet years in a European champs back in 2007. We make a great team. We have a lot of fun both on and off the field and it payed off in Wroclaw with a bronze medal. We shot really good against the Russians all things considering. Tricky field with tricky wind, “new” team and all of us new to the World Cup scene when it comes to shooting for metal.

You are gearing up for the World Championships. What does a practice day look like around now?

My practice days are very different! I’ve had a hard time adjusting to the working schedule and it cost me quite a set back on the field. A lot of things happen causing me to practice differently than what I would prefer. It also depends on whether or not I’m working. I shoot for 4-5 hours, mostly on 70 meter. Tomorrow I have a day off and I will be shooting a full FITA round. This coming weekend we have a training weekend with the national coach.

Have you ever been to Korea?

I have been in Korea a couple of times, both for a training camp at Coach Kim’s archery training school and also for the World Champs back in 2009. It was my second seniors tournament and I came back to Denmark with a 7th place. I was only 18 and I was so excited!

Is there anyone else’s shooting you really admire?

I admire lots of other shooting athletes! To be a top archer – and any other athlete for that matter – you have to put in a lot of time and effort and I admire anyone who has the strength and will power to put up with the frustrations that follow with pursuing your dream. It’s hard work. It’s blood, sweat and tears but if you want it enough, it’s all worth it in the end.

Do you ever shoot field archery, 3D, compound, traditional archery etc. ?

I only shoot target archery.

Is archery growing in Denmark like everywhere else?

Denmark had an Olympic archery BOOM as a cause of the success we had at the 2012 Olympics. It was an amazing experience to compete in the Olympics and being able to do something for my sport and my country simply by doing what I love was great. Archery is fun!

Do you have any ideas how would you make international archery better for spectators?

I think it gets better time by time. At the Olympics the final field was probably as good as it gets. Stands for spectators on each side of the field and a big screen for cool video shots of the archers and the targets. It was a big set up, but it would be cool if it could be like that for every tournament.

So… why archery?

My brother did it and I was so sick and tired of him doing good and always being in the papers. I asked my mom if I would get in the paper if I did good in archery too. She said yes and I wanted to do archery. I also wanted to do and be good at something not a lot of other people do (in Denmark anyway).

What’s on your running playlist?

As in, for when I go running?  Something LOUD with a good beat. Something Chris Brown and Rihanna, always. I mostly listen to Chris Brown, Rihanna and Trey Songz. I am an R’n’B kinda girl, for sure!

Tell us a Danish joke.

I don’t think it would translate all that well. I’m really more of a sarcastic kinda funny 😉

Thanks Carina. Good luck in Belek!

korean archery secrets

26 August, 2013

This is a video I took of Lee Seungyun, the World Cup champion, on the practice field in Wroclaw. He’s only 18. That’s… painful. I particularly like the smoothness and the way he doesn’t fully extend his bow arm until he’s halfway through the draw. That’s got to save some energy. His head and torso are perfectly still. And note, as previously mentioned, his extended and interestingly trimmed tab, which he was kind enough to let me photograph.

Make sure you watch the first two arrows of his gold medal match, right here. Just unbelievable. Also note his slightly built up but flattish grip, as seen on several other Korean bows (men & women):

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There’s an often cited ‘secret‘ from the Han peninsula for continued archery success, which doesn’t appear to be backed up by much scientific evidence, unfortunately.

Of course, it’s not the equipment, or even his particular style, or the chopsticks. It’s the vast youth base, relentless dedication, mental toughness, brutal 1000-arrows-a-day training regimes, regimented coaching structure, clear career paths and professional teams that are the reason why the Koreans destroy almost everyone at top-level recurve archery. The real Korean archery secret is this: make sure you are better. 

INTERVIEW: TAYLOR WORTH

8 August, 2013

Taylor+Worth+2012+Archery+World+Cup+1OSL_B4CR4ll

Taylor Worth. Australian international. Gold medallist at the 2010 Commonwealth Games. Brady Ellison’s nemesis. All-round nice guy who was kind enough to answer my questions. Thanks!

You’ve just been working with Coach Kim in his near-mythical archery school in Korea. What’s a typical day out there like? Is there a typical day?

A typical day at the academy is 9am start and just shooting until 12 then a break for lunch from 12 until 2 or 2:30 with a cycle into the local village for food, then training again until about 6 or 7 in the evenings. Typically when someone arrives there we score something, e.g. FITA or double 70, then video analysis and changes are made at short distances for a few days before attempting scoring again to see what the improvements are to performance, with video comparison at the end of the camp.

What was the biggest change he’s made to your shooting?

He has made quite a few changes to me over the past few years, but the biggest would be a total structure and form change at the start of 2012 which I feel helped me get to London.

You wrote elsewhere you’ve just started using a new 70″ bow. What difference has that made?

I did say I was using a 70″ for a little bit, but i have changed back to a 68″ just with a different combination. changing from a 27″ riser with short limbs to a 25″ riser with medium limbs.

What’s the food / company like out there?

I really enjoy the food over there, it’s always really healthy and good for the body and the company is always friendly and I meet new people every time I go over.

I saw you shoot in London last year, and I think I’d describe your shooting style as… ‘classical’. Have I got that right?

Haha! I’m not sure what i would ‘classify’ my shooting style as but I would like to think of it as simple.

Is there anyone’s else’s shooting style you really admire?

There are a lot of archers out there with great form but none that stand out as something I admire. Everyone is great in their own way.

What are you gearing up for this year?

I have had a lot on my plate with year with camps and competitions, but the big one this year is obviously the world champs in Turkey. I would have liked to make the World Cup finals, and I still have a small chance to make it but I will need a very good result from World Cup 4 in Poland later this month.

OK, some less serious questions:

What have you got in your pockets?

Honestly I don’t have anything in my pockets right now as I’ve just woken up and thrown some trackies on, haha.

What’s the last song you listened to?

The last song I listened to was Closing Time by Semisonic.

Tell us a joke.

I don’t have many good, clean jokes for you but this is one my dad always tell me: “What goes up the chimney down, but not down the chimney up? …. an Umbrella!” Lame I know, but it’s one of those childhood memories that has stuck…

Cheers Taylor. Good luck in Poland!

(Taylor’s Facebook page is here).

London 2012 one year on: 2nd Aug – women’s individual final

2 August, 2013

A year ago today I went to Lords Cricket ground for the last of three sessions at the Olympic archery venue. 

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3rd and final session for me at Lords, the women’s individual final. The place is almost beginning to feel like home. I chat with some of the gamesmakers I’ve seen in the past couple of days. In a couple of days it will be Super Saturday, the finest day in British Olympic history and the trigger for an avalanche of gold medals for Team GB. Unfortunately it wasn’t to be for the archery first team, which I wrote about here. The quarters and semis are good; I particularly enjoyed Khatuna Lorig’s gutsy performance, unfortunately Mariana Avitia was as inspired as Aida Roman and denied her the bronze. The amusing sight of the divided loyalties of the Mexican coach in the semis. The feverish Korean support in the stands.

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But it came down to the wire. A shoot-off. Brutal. A lottery. A friend of mine described is as ‘like a darts match where you decide the winner as shooting to see who is closest to the bull’, and he had a point. It is too hard, almost ridiculous. There must be a better way that satisfies the needs of the schedule and the timings. Three-arrow shoot off? Total X’s? Another end then sudden death? All would be fairer. It reduces the sport.

There was an sound that is still with me of the flag eyelets, the symbols of the games, rattling on the top of the stands. A kind of gentle tinkling. Slightly exotic. I recorded some audio on my phone that day too, takes me right back, anyway. Here you go:

But the last shot seemed to sum up the whole day; close and narrow. No one dominating. When Ki Bo Bae shot first, she seemed to have finally succumbed to the weight of expectation, her coach massaging her shoulders. Actually, you could see her tension building through the day. The wind really picked up and swirled menacingly just before she went to the line, and she held for just a couple of seconds too long before sending down that eight. Everyone gasps. She shakes her head. The wind? Nerves? Who knows. It’s with the djinns.

So it was Aida Roman’s to lose. A she drew, and held, and held… and held… and held. The pressure had won. Normally fairly metronomic, she could not release. You could feel the shot slipping away from her. She held for nearly nine seconds, the clock gave her only three more and that eight wasn’t, of course, close enough.

Watch it again, if you can. You can see it going, in those few seconds. The tiny, tiny things that decide everything. Both of the Mexican women had shot brilliantly (and since then, their performance has been further recognised) but the tournament had gone back to the script. The place erupts. It was meant to be; capping an already dominant Korean performance and setting the stage for Oh’s gritty performance the next day. A great sporting moment. So, close. So, so close.

Today was a big club outing, we are all in a grand mood and we hit the pub and then a restaurant with the booze flowing. But I’m stuck with the image of Ki Bo Bae stood on the podium for the Korean national anthem, as the (correct) flag was raised, fighting back the tears. She seemed so tiny, and you could still see the mark of the string pressed into her face.

London 2012 one year on: 1st Aug – men & women last 16

1 August, 2013

A year ago today I went to Lords Cricket ground for the second of three sessions at the Olympic archery venue. Here’s to the memories. 

Back to Lords again. Same stand. Almost the same seats. It really is a great venue, compact, easy to get in and out of, pretty, great noise, nice pubs nearby… Apparently, last year, Im Dong-Hyun was asked what he knew of London ahead of the 2012 Games. He replied “Two things. It’s always raining and it’s a country of gentlemen.” The words ‘gentleman’ and ‘Lords’ remain almost as bound as Compton & Edrich. Perhaps they could have picked an even more dramatic location for the archery – Battersea Power Station, maybe, or Hampton Court Palace (which would have been entirely appropriate) – but Lords turned out to be a first-class arena to see it in, really, even if the archers complained about the wind patterns.

It was an exciting day, despite the lack of a final. I got to see Brady Ellison shoot amazingly against Mark Javier, and then collapse against Taylor Worth. (Although Taylor also knocked out Alan Wills; naturally, an Australian knocking out an Englishman at Lords cannot possibly be acceptable 😉 ). I saw Simon Terry demolish a well-ranked Japanese archer, and then fall to a 16 year-old from Moldova. And I got to see Ki Bo Bae, as the top ranked shooter, shoot against the bottom ranked shooter Rand Al-Mashhadani, from Iraq, in a hijab, who had got in as a wildcard by making the minimum qualifying standard – a sporting mismatch of almost Biblical proportions. She looked nervous as hell, and kept drawing and then coming down again. The British public responded as they always do to an underdog, with massive cheering support. She lost 6-0. Makes you proud.

Archery Lords 2012 004

This is probably the best picture I took, just as the light and the shadows started to look awesome on the field. No rain today.

So afterwards I’m ambling, slightly drunkenly (it was sunny, and there was beer) along the street behind Lords as the stadium is emptying, and there’s a little yelp from a couple of Korean teenagers in front of me. And… oh my living God… Ki Bo Bae and Kim Bub Min are walking down the road. In front of us.

So Kim Bub Min ends up taking a picture of me and Ki Bo Bae, right there. Jesus. That’s like Boris Becker taking a picture of you and Steffi Graf. He even takes a couple because I’m looking down in the first one. What a nice guy. She looks a bit scared, I look a bit creepy. We make a wonderful pair.

So they spoke to me in Korean, and I gave them a good luck, and they wandered off to more signing and photos. Why are these people wandering around in the street? I mean, these people are… Usain Bolt doesn’t just go and get the tube back to his hotel after his heats, does he?

Video today: Worth v Ellison last 16. Read about it here